Different perceptions of the design process in the context of DesignArt

Leitner, Michael; Innella, Giovanni; Yauner, Freddie

doi:10.1016/j.destud.2013.01.006

Cited by 4 publications

(2 citation statements)

References 7 publications

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“…Overall, design is a multifaceted complex construct implying a variety of activities toward the manifestation of artifacts-from raising issues to be addressed, to Journal of Software Engineering and Applications questioning improvements and solving problems, all the way to the act of creating, and sometimes even re-creating [1] [2]. Additional words, such as creativity and invention (as the quote above illustrates), have also been used to describe the complex elements and processes of design [3].…”

Section: Introductionmentioning

confidence: 99%

“I’m Just Guiding You”: An Exploration of Software Design Mentorship within a Software Engineering Firm

Hatley¹,

Al‐Freih²,

Bannan³

2018

JSEA

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The case study presented here uses an interpretivist (qualitative, humanistic) approach to illustrate and describe a range of interactions and behaviors that occur during design meetings where mentoring and design simultaneously occur within a software engineering firm, during a portion of the design phase for a software project. It attempts to examine the interaction between two design team members (one novice and one expert) and describes how these observations intersect with the theoretical and applied literature and actual design processes. Taking cues from two theoretical descriptions of the design process, the study presented here suggests that modes and models of mentorship should be added, when applicable, as a descriptive portion of the design process.

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Section: Introductionmentioning

confidence: 99%

“I’m Just Guiding You”: An Exploration of Software Design Mentorship within a Software Engineering Firm

Hatley¹,

Al‐Freih²,

Bannan³

2018

JSEA

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“…C. Ruiz & Ghorabi, 2010;Salman & Laing, 2014;Sarkar & Chakrabarti, 2011;Tapiero et al, 2006) imaginación Rocca, 2013;Sofía & Rodríguez, 2014) indicadores de efectividad de la ideación (Basabe, 2014;Belmonte et al, 2014;Hernández et al, 2010;Kim et al, 2007;Portella, 2006;Verhaegen et al, 2013) información (Cheng et al, 2014;Cheong & Shu, 2013;Dorta et al, 2008;Jonson, 2005;Kurtoglu et al, 2009;Leitner et al, 2013;Macmillan et al, 2001;Ortega, 2014) (Boelke, Caballero, & Lema, 2008Cai et al, 2010;Demirkan & Afacan, 2012;Kalay, 2006;Labaig, 2013;Y.-T. Liu, 2000;Medina, 2010;Nagai et al, 2009;Portella, 2006;D. C. Ruiz & Ghorabi, 2010;Tang et al, 2011;Urbina, 2006) inspiración (Cai et al, 2010;Chan et al, 2015;Goncalves et al, 2014;Helms et al, 2009;Howard et al, 2008;Leitner et al, 2013;Navarro, 2014;Ortega, 2014;Wilson et al, 2010) intuición …”

Section: Conclusionesunclassified

Proceso de la ideación y reflexión en el acto de diseño

Flores Enríquez

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The concept of 'idea' is essential in design, and its understanding leads to different questions about its definitions, processes for generating, teaching, replicating, as well as questions about its materiality and immateriality. Definitions range from the stimuli that make it possible to the thinking approaches of those who study it. The objective of this research is to study the different relationships involved in the Ideation Process, in order to acquire and construct new criteria for recognizing, generating, and representing the idea in the field of design. Identifying these relationships leads to a series of questions about how to process and visualize these relationships, and what instruments can make them visible and cognizable. Relationship visualizations should allow for solid, concrete, and accessible theoretical explanations for those studying the idea and its processes. To answer these questions, analysis methodologies such as the Hermeneutic Circle and Grounded Theory are used, which allow for systematic gathering of information on the Ideation Process to contribute to an empirical base and theoretical explanation of the processes. This research is carried out in two phases: the first has a hypothetical-deductive approach, where information is recovered and analyzed for visualization; the second phase is developed from an inductive approach involving hermeneutic processes. In the first phase, 50 concepts were identified, and an extensive state of the art of the Ideation Process was developed, demonstrating the problematic nature of the study. In the second phase, with the help of the visualized instruments, a proposal for a theoretical framework was generated, with which it is intended to show a way of taking advantage of and recovering the information already visualized, to give way to theoretical explanations with empirical support. In conclusion, it is found that the Ideation Process is not an entity that should be understood through a set of isolated definitions, but rather should be understood in terms of its essence of multiplicity, where its meanings are modified in relation to the criteria of the analyzer.

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Construction of an Evaluation System for Automotive Interior Rendering Based on Visual Perception

Zhao

2018

Advances in Intelligent Systems and Computing

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Different perceptions of the design process in the context of DesignArt

Cited by 4 publications

References 7 publications

“I’m Just Guiding You”: An Exploration of Software Design Mentorship within a Software Engineering Firm

“I’m Just Guiding You”: An Exploration of Software Design Mentorship within a Software Engineering Firm

Proceso de la ideación y reflexión en el acto de diseño

Construction of an Evaluation System for Automotive Interior Rendering Based on Visual Perception

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