2013
DOI: 10.1109/jproc.2012.2211311
|View full text |Cite
|
Sign up to set email alerts
|

Digital Cinema and Super-High-Definition Content Distribution on Optical High-Speed Networks

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
4
1

Citation Types

0
7
0

Year Published

2013
2013
2019
2019

Publication Types

Select...
4
1
1

Relationship

1
5

Authors

Journals

citations
Cited by 9 publications
(7 citation statements)
references
References 12 publications
0
7
0
Order By: Relevance
“…In video delivery, the packet loss and jitter that occur in transmission significantly affect the video quality; consequently, functions to suppress them are necessary for real-time video streaming. NTT Network Innovation Laboratories has been studying a 4K video, low-latency transmission system [1]. We have developed Internet Protocol (IP) packet compensation technology that uses application layer forward error correction (AL-FEC) and achieves highly reliable IP transmission.…”
Section: Introductionmentioning
confidence: 99%
“…In video delivery, the packet loss and jitter that occur in transmission significantly affect the video quality; consequently, functions to suppress them are necessary for real-time video streaming. NTT Network Innovation Laboratories has been studying a 4K video, low-latency transmission system [1]. We have developed Internet Protocol (IP) packet compensation technology that uses application layer forward error correction (AL-FEC) and achieves highly reliable IP transmission.…”
Section: Introductionmentioning
confidence: 99%
“…The rapid adoption of the features in the new 8K and 4K (i.e. 4096x2160 pixels) imaging systems used in digital cinema, live streaming, and networked super-tele-presence systems for remote collaboration has motivated the need for real-time DSP sustaining a total bit rate exceeding 12Gbps [2]. The recently introduced High Efficiency Video Coding (HEVC) standard is a video compression format that effectively doubles the data compression rate compared to H.264/MPEG-4 AVC at the same level of video quality.…”
Section: Introduction Motivation and Related Workmentioning
confidence: 99%
“…The distribution of uncompressed data streams for film postproduction or critical scientific and medical applications requires up to 8 Gb∕s and 72 Gb∕s for 4K and UHD, respectively, [5,6]. For live video and video-on-demand (VoD) streaming applications, advanced compression technologies based on JPEG2000, H.264, and the more recent H.265 standard, can reduce these requirements to about 250 Mb∕s and 300-500 Mb∕s for 4K and UHD, respectively, [7][8][9]. In addition, there are requirements for the network to deliver stringent quality-of-service (QoS) to ensure high qualityof-experience (QoE) for users [10].…”
Section: Introductionmentioning
confidence: 99%
“…There are also corresponding high computational and storage requirements which are far greater than those for HD and other preexisting formats. For example, a two hour 4K video that is compressed to 250 Mb∕s will require about 200-300 GB of storage capacity [9].…”
Section: Introductionmentioning
confidence: 99%
See 1 more Smart Citation