Digital Laser-dyeing for Polyester Fabrics

Akiwowo, Kerri; Kane, Faith; Tyrer, John R.; Weaver, George W.; Filarowski, Andrew

doi:10.2752/205117814x14228978833457

Cited by 18 publications

(13 citation statements)

References 11 publications

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“…The role of the textile designer-researcher is becoming more important, and examples of interdisciplinary research topics, such as e.g. interactive olfactory textile surfaces (Tillotson, 1997), digital 3D textiles (Harris, 2000), spray-on fabric by Manuel Torres (Amato, 2011), the development of linseed fibre material (Härkäsalmi & Koskinen, 2010), laser-dyed patterning (Akiwowo, Kane, Tyrer, Weaver, & Filarowski, 2014), and botany and horticultural techniques challenging the design process (Collet & Foissac, 2015), echo our work, suggesting this role being fundamental in serendipitous activities. After all, the role of the textile designer has been essential for justifying the research-direction and therefore findings: Satisfying human senses is an essential factor when designing textiles and textile-based products.…”

Section: What Is the Designer-researcher Role In Scientific Research?mentioning

confidence: 99%

Serendipity as a Catalyst. Knowledge Generation in Interdisciplinary Research

Townsend

Mikkonen

2019

The Design Journal

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Our paper discusses the design-led processes in a project starting as multidisciplinary, focusing on three serendipitous cases that influenced the outcomes and the textile-design-research path taken in the overall project. The work presented here revolved around semiconductive cotton, suitable for textile design, and examines it from the design team perspective. This paper identifies and discusses three cases, as they had considerable weight on the project path. In order to understand these cases, we evaluated them based on a model for a serendipitous experience. The follow-ups to the serendipitous connections gave empowerment to the design research team, increasing their ownership of the research results. Relaxing boundaries between disciplines and varying routines have been highly relevant factors in the new knowledge generation. Ability to perform a consented and significant diversion to the research path was crucial for reacting to the serendipitous discovery and establishing the research space of the interdisciplinary project.

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Section: What Is the Designer-researcher Role In Scientific Research?mentioning

confidence: 99%

Serendipity as a Catalyst. Knowledge Generation in Interdisciplinary Research

Townsend

Mikkonen

2019

The Design Journal

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“…O método adotado é a Revisão Bibliográfica assistemática (RBA) e sistemática (RBS), um tipo de pesquisa bibliográfica que segue um método explícito, planejado e justificável (Dresch;Lacerda;Antunes Júnior, 2015). A RBS diferenciase da revisão assistemática por apresentar maior rigor científico, "podendo alcançar melhores resultados e reduzir erros e o viés do pesquisador responsável pela investigação" (Conforto;Amaral;Silva, 2011, p. 2 (Bastos, 2014;Oliveira, 2013), quatro artigos internacionais (Kohtala, 2015;Akiwowo et al, 2014;Atwell, 2014;Niinimäki;Hassi, 2011) e cinco artigos nacionais (Carvalho;Rüthschilling, 2016;Souza;Reis, 2014;Guimarães, 2014;Neira, 2012;Cunha, 2011).…”

Section: Materiais E Métodounclassified

Uso da Fabricação Digital para o Design de Superfície em Produtos de Moda

Perez

Santos

2018

Modapalavra e-periódico

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O presente trabalho apresenta as possibilidades de uso de tecnologias de fabricação digital no Design de Superfície em produtos de moda, demonstrando como essas tecnologias podem contribuir para o envolvimento do usuário nos processos de criação e de produção. Mais especificamente, o foco deste artigo são os usos da fabricação digital para a personalização de produtos e para a fabricação pessoal, em um contexto de produção distribuída. O método de pesquisa adotado é a revisão bibliográfica assistemática e sistemática, tendo sido consultadas três bases de dados, repositórios online de sete periódicos nacionais, assim como livros, artigos publicados em anais de eventos, sites e blogs especializados. Como resultado, são apresentados alguns exemplos de uso de tecnologias de fabricação digital no Design de Superfície de produtos de moda, discutindo as possibilidades e limitações das tecnologias atuais para o fomento de um cenário de produção distribuída.

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“…In a collaboration between textile design, optical engineering, dyeing chemistry, and colour analysis, Akiwowo et al (2014) have developed a method utilising a laser to "engineer dye onto the fabric with high-resolution graphics". During the development, they configured the colour data through both visual and numerical means, "demonstrating the relationship between a specific vector grid, tonal density, and energy density" (Akiwowo et al 2014: 144).…”

Section: Multi-and Interdisciplinarymentioning

confidence: 99%