Abstract:Following the work of John Ohala, historical sound changes are thought to take place by misperception of the input on the part of the listener. Any account of sound change based on misperception, though, faces a paradox: if X sounds like Y, Y should also sound like X, and yet we often see sound changes that are only attested in one direction. A potential solution is to think of phonetic categories as distributions in acoustic space, and so asymmetries in sound change (X > Y, *Y > X) come from asy… Show more
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