Abstract:Essa comunicação se propõe a investigar como as obras de intervenção urbana "Imagens Posteriores" (2012-2013) de Patricia Gouvêa, "Giganto"(2009-2013) de Raquel Brust e Polaroides (in)visíveis (2005-2011) de Tom Lisboa ao migrarem do espaço urbano ao virtual geram um novo "acontecimento" da obra, a partir da relação midiática pela leitura do historiador François Dosse.
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