2014
DOI: 10.1177/1056492614532316
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Doing Free Jazz and Free Organizations, “A Certain Experience of the Impossible”? Ornette Coleman Encounters Jacques Derrida

Abstract: Many scholars have attempted to make jazz relevant to an organizational audience. We seek to extend this literature by considering a more radical version of improvisation associated with the jazz musician Ornette Coleman. Inspired by an encounter between Coleman and the philosopher Jacques Derrida, we juxtapose the radical collective responsibility associated with Coleman’s Free jazz improvisation and Derridean deconstruction. We especially emphasize a phrase used by Derrida, “a certain experience of the impos… Show more

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Cited by 5 publications
(3 citation statements)
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“…Moreover, the Derridaean conceptual background that inspires this analytical framework offers promising avenues to study the role of communication in (dis)organizing processes. The work of Derrida has rarely been mobilized in the organizational and management literatures (for exceptions, see Brummans, 2007; Cooren, 2009; Griffin et al, 2015). Yet, as we showed in this article, his work can strongly contribute to a subtle understanding of the dynamics of (written) language (i.e.…”
Section: Discussionmentioning
confidence: 99%
“…Moreover, the Derridaean conceptual background that inspires this analytical framework offers promising avenues to study the role of communication in (dis)organizing processes. The work of Derrida has rarely been mobilized in the organizational and management literatures (for exceptions, see Brummans, 2007; Cooren, 2009; Griffin et al, 2015). Yet, as we showed in this article, his work can strongly contribute to a subtle understanding of the dynamics of (written) language (i.e.…”
Section: Discussionmentioning
confidence: 99%
“…Also, in our assessment, another strong element that adds comfort is employee empowerment, both professionally and personally. Professionally, it is encouraged that employees exercise self-discretion in professional matters (Griffin et al , 2014; Huber and Brown, 2016; Jeanes, 2013; Robertson and Swan, 2003). For example, Siciliano (2016, p. 9) reported in his case study that “managers advise these workers to ‘take ownership’ and use their department as a platform for their own ‘creativity.’” As a manager said, “Instead of believing that I know the best way to get things done, I’d rather give them goals.”…”
Section: Findings: Agential Propertiesmentioning
confidence: 99%
“…In the past, management literature has sought inspiration from the arts, both narrative fiction (Cohen, 1998; Czarniawska-Joerges and De Monthoux, 1994; Michaelson, 2016) and theatre (Beirne and Knight, 2007; Kostera and Kozminski, 2001; Starkey et al, 2019). In more contemporary arts, a rich seam has been mined both from rock (Rhodes, 2004, 2007) and jazz music (Griffin et al, 2015; Hatch, 1999; Kamoche and Cunha, 2001). Other forms of music also provide inspiration; Fado is a rich artistic expression that incorporates music, dance and culture (Gray, 2007, 2013) in a uniquely Portuguese mode that invokes a sense of mournful regret in response to crescive contradictions of the past as well as transcending hope for the future, supporting dignified action and emancipation.…”
Section: Introductionmentioning
confidence: 99%