Early Soviet Visual Antireligious Propaganda: The Display of Print Images in the Past, Present and Digital Future

Kain, Kevin M.

doi:10.1080/15228886.2018.1539608

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“…debating the advantages of creating and making accessible digitized Russian visual material in collections and archives in-and outside of Russia (see Kizhner et al 2018;Bridgers and Blood 2010;Kain 2018). For example, Biryukova et al (2017) discuss how virtual cultural storages and virtual museums can be used to preserve the Russian cultural heritage.…”

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The State of the Art: Surveying Digital Russian Art History

Kangas

2020

The Palgrave Handbook of Digital Russia Studies

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With the growing interest in digital humanities, the methodology of digital art history is in some respects lagging behind the trend. Given the prospects of the new digital image analysis, computer vision, and visualization methods, a number of questions have arisen as to how exactly the new digital methods can and should be applied to art history. Furthermore, when trying to apply these digital methods to the analysis of Russian art, one encounters a whole new set of questions and challenges. In this chapter, I examine current and potential applications of digital methods to the analysis of Soviet political cartoons published in Pravda during the “Great Patriotic War,” 1941–1945, as well as the study of Russian art history more generally. I especially examine how the combination of quantitative and qualitative analyses of political cartoons enables a deeper understanding that illustrates cultural, historical, and political developments over time.

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The State of the Art: Surveying Digital Russian Art History

Kangas

2020

The Palgrave Handbook of Digital Russia Studies

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“…This is partly because many of the widely used digital art repositories contain only Western European and Renaissance art, leaving other art in a marginalized role (see, e.g., Münster et al 2018, 380). However, scholars are now R. E. Kangas (*) University of Turku, Turku, Finland e-mail: reeta.kangas@utu.fi debating the advantages of creating and making accessible digitized Russian visual material in collections and archives in-and outside of Russia (see Kizhner et al 2018;Bridgers and Blood 2010;Kain 2018). For example, Biryukova et al (2017) discuss how virtual cultural storages and virtual museums can be used to preserve the Russian cultural heritage.…”

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confidence: 99%

Персонажи «Войны И Мира» Л. Н. Толстого: Вхождения В Тексте, Прямая Речь И Семантические Роли

Скоринкин¹

Репозиторий Открытых Данных По Русской Литературе И Фольклору

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Early Soviet Visual Antireligious Propaganda: The Display of Print Images in the Past, Present and Digital Future

Cited by 2 publications

References 0 publications

The State of the Art: Surveying Digital Russian Art History

The State of the Art: Surveying Digital Russian Art History

Персонажи «Войны И Мира» Л. Н. Толстого: Вхождения В Тексте, Прямая Речь И Семантические Роли

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