“…ÐáñÜëëçëá, ôï áíÜðôõãìá ôïõ çëåêôñïìáãíçôéêïý ðåäßïõ óå éäéïóõíáñôÞóåéò åßíáé âáóéêÞò óçìáóßáò ôüóï ãéá áñéèìçôéêÝò (ð.÷. ÌÝèïäïò ÐñïóáñìïãÞò Ñõèìþí, (Mode Matching), [3,4] Þ ÌÝèïäïò Ñïðþí (Method of Moments), [91{93]) üóï êáé ãéá çìé-áíáëõôéêÝò ôå÷íéêÝò åðßëõóçò çëåêôñïìáãíçôéêþí ðñïâëçìÜôùí, [6]. Óêïðüò ôïõ êåöáëáßïõ áõôïý åßíáé ç óýíôïìç ðåñéãñáöÞ êÜðïéùí åê ôùí ðáñáðÜíù ðåñéðôþóåùí, åóôéÜaeïíôáò óôá óçìåßá åêåßíá üðïõ ç ãíþóç ôùí éäéïôéìþí êáé éäéïäéáíõóìÜôùí äéáäñáìáôßaeåé êáèïñéóôéêü ñüëï.…”