Ethnographic Explorations of the Impacts of COVID-19 on Sociality and Spatiality in a Swiss Live Music Venue

Abstract

The globally experienced suspension of cultural life brought about by the COVID-19 crisis has been duly acknowledged and discussed in a growing number of publications, reports and online seminars, most often in terms of the impact of COVID-19 on the music/culture industry. Despite the worsening pandemic situation in Switzerland and elsewhere during the autumn of 2020, I happened to be conducting field research in the city of St. Gallen (in north-eastern Switzerland) where the authorities opted for a “liberal” handling of the health crisis. As a result, the city’s live music venue “Palace”, where I was doing my fieldwork observations, remained open to the public as late as mid-December 2020, albeit with shortened opening hours and with a dancing ban. This allowed me to gain first-hand fieldwork experience during the pandemic’s significant constraints on social behaviour. The present article accordingly addresses the ethical dilemmas that I encountered when operating in this “grey zone” of field research, while also documenting the challenges and adjustments that the Palace venue had to undergo during pandemic times from the perspectives of producers, musicians and audiences alike. The article specifically focuses on understanding and analysing changes in the experience of the Palace’s sociality and spatiality under social distancing rules. Ultimately, this work provides a different angle on the existing body of music-cultural research, which largely focuses on the cancellations and transformations of music events into virtual gatherings.

Vom stadträumlichen Pionier zur Kulturstätte inmitten der Pandemie. Musikclubs als (sozial-)räumliche Akteure urbaner Musikökosysteme

“… 2022 ; Taylor et al. 2020 ; Gligorijevic 2022 ). Unter Musikschaffenden führten die Einschränkungen zum Zusammenbruch ihrer Auftrittsmöglichkeiten und damit zu großen Schwierigkeiten, was den eigenen Reputationsaufbau bzw.…”

“… 2020 ). Selbst zeitweilig stattfindende Veranstaltungen unter Hygienemaßnahmen wurden von Teilnehmenden trotz der Möglichkeit kulturell-ästhetischer Erfahrungen vor allem auf Ebene des sozialen Austauschs als restriktiv und reguliert wahrgenommen, was eine Analyse von Clubbesuchen des St. Gallener Clubs Palace während der Pandemie illustrativ aufzeigt (Gligorijevic 2022 ).…”

A place outside the pandemic? An ethnographic study of live music events at St Gallen's cultural venue Palace during the COVID-19 crisis

“…This article accordingly aims to document the challenges and adjustments that the Palace venue had to undergo during pandemic times, as well as the ways in which these changes were experienced and narrated by Palace producers, musicians and audiences alike. While I have analysed elsewhere changes in the experience of Palace's sociality and spatiality under social distancing rules (Gligorijević 2022 ), in this article I focus on grasping and describing changes in the venue's management, programming, audience composition and especially the musical-aesthetic experience of the venue's pandemic-compliant gigs. Finally, the article draws on the musings of my interlocutors as to whether Palace was in their experience a place outside the pandemic, to tackle the larger question of how COVID-19 has affected people's perceptions and feelings about live gigs, clubbing and urban nightlife more generally.…”