2021
DOI: 10.1111/jems.12427
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Exclusive content in two‐sided markets

Abstract: This study investigates the role of exclusive content provision in two‐sided markets in which both sides are allowed to join multiple platforms. We consider a model of duopolistic two‐sided platform market with a monopolistic multiproduct firm (content provider) on one side and consumers on the other. The model demonstrates that the monopolistic content provider uses exclusivity as strategic commitment to balance two opposite effects on its bargaining power: the positive effect caused by the increase in multih… Show more

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Cited by 10 publications
(4 citation statements)
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References 24 publications
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“…For instance, the addition of old classic movies on Amazon Prime Video or newer regional content that went global, such as Squid Games and Money Heist on Netflix. Finally, the exclusivity of the content is one of the significant forces garnering users' attention toward over‐the‐top platforms that are weaving customized content for their subscribers (Ishihara & Oki, 2021). These strategies are bound to increase the users' affinity toward the content, sequentially expected to influence the willingness to pay for the content.…”
Section: Conceptual Frameworkmentioning
confidence: 99%
See 1 more Smart Citation
“…For instance, the addition of old classic movies on Amazon Prime Video or newer regional content that went global, such as Squid Games and Money Heist on Netflix. Finally, the exclusivity of the content is one of the significant forces garnering users' attention toward over‐the‐top platforms that are weaving customized content for their subscribers (Ishihara & Oki, 2021). These strategies are bound to increase the users' affinity toward the content, sequentially expected to influence the willingness to pay for the content.…”
Section: Conceptual Frameworkmentioning
confidence: 99%
“…Finally, the exclusivity of the content is one of the significant forces garnering users' attention toward over-the-top platforms that are weaving customized content for their subscribers (Ishihara & Oki, 2021).…”
Section: Content Affinitymentioning
confidence: 99%
“…However, in reality, there might be marquee games who have market power vis-á-vis platforms. Exclusive deals, in such a setting, is studied byCarroni, Madio, and Shekhar (2019) andIshihara and Oki (2021) among others.…”
mentioning
confidence: 99%
“…Due to the fact that most music can be found on all of the major music streaming services, all of the primary competitors in this market provide a product that is nearly similar. Ishihara and Oki (2021) claim that unique music material causes a distribution channel bottleneck. Platforms may effectively dominate distribution channels, which means they can take advantage of the transaction benefits that content providers have gained.…”
Section: Recommendationmentioning
confidence: 99%