Expanding the Design Space for Technology-Mediated Theatre Experiences

Nicholas, Molly Jane; Daffara, Stephanie Claudino; Paulos, Eric

doi:10.1145/3461778.3462123

Cited by 3 publications

(1 citation statement)

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“…An asymmetric co-occurrence matrix is created by calculating the concepts' relative co-occurrence frequencies. This matrix produces a two-dimensional concept map using a proprietary clustering algorithm based on Audio First [152][153][154][155][156] Audio and Multimodal Integration [157][158][159][160][161][162][163][164][165][166] Audio in Multimodal Comparison [167] Multimodal Experience [168][169][170][171][172][173][174][175] the spring-force model for the many-body problem [83]. The correctness of each concept in this semantic network generates a third hierarchical dimension, which displays the more general parent concepts at the higher levels.…”

Section: Computer-aided Qualitative Data Analysis Software (Caqdas)mentioning

confidence: 99%

The Role of Audio in Immersive Storytelling: a Systematic Review in Cultural Heritage

Privitera,

Fontana,

Geronazzo

2024

Multimed Tools Appl

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Nowadays, Virtual and Augmented Reality technologies play a supportive role in many research fields. In cultural heritage, various examples are available, including storytelling and narratives, where they can provide immersive and enhanced experiences to visitors and tourists, especially for entertainment and educational purposes. This review aims to investigate the opportunities that soundscape design and advanced sonic interactions in virtual and augmented environments can bring to cultural heritage sites and museums in terms of presence, emotional content, and cultural dissemination. Nineteen-two papers have been identified through the PRISMA methodology, and a promising positive effect of sonic interaction on user experience in a virtual environment can be observed in various studies, notwithstanding a general lack of specific contributions on the use of sound rendering and audio spatialisation for improving such experiences. Moreover, this work identifies the main involved research areas and discusses the state-of-the-art best practices and case studies where sonic interactions may assume a central role. The final part suggests possible future directions and applications for more engaging and immersive storytelling in the cultural heritage domain.

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