Foundations in Sound Design for Interactive Media

doi:10.4324/9781315106342

Cited by 6 publications

(2 citation statements)

References 16 publications

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“…When the interaction is included in the design, the visitor's body is included too. The artist/designer creates not only a subset of sounds for the environment but the relationships between the sounds and the actions of the visitor‖ (Filimowicz, 2019).…”

Section: Interactive Sound Installations As the Methods Of Artistic C...mentioning

confidence: 99%

Interactive Sound Installation as an Implementation of Contemporary Communication Models

Chibalashvili

Kharchenko

Bezuhla

et al. 2022

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Digitalization, virtualization, commercialization, loss of integrity, polystylistics, liberation from any norms are the latest trends that determine the development of contemporary art. They influence the functioning of modern communication models that evolve in accordance with the achievements of technology and acquire mobility, variability and interactivity. Interaction between social processes and scientific and technological achievements is increasing, the essence of communication in the space of modern culture is being rethought, particularly, the boundary between the types of art is being levelled. The latter phenomenon leads to the emergence of new instruments and methods of artistic creativity and expands the possibilities of artistic self-expression. One of the promising areas of artistic exploration is the creation of sound interactive installations. This paper proposes a classification of communication models that are based on the analysis of interactive sound installations. The classification is based on determining the degree to which audiences actions influence the final sound result of the creative action. The paper claims that the parameters of the exhibition space are important components of the installation’s structure and form. A dialogue with nature by way of incorporating sounds of nature, their imitations, and interpretations in art objects is found to be a current trend in interactive sound installations.

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Section: Interactive Sound Installations As the Methods Of Artistic C...mentioning

confidence: 99%

Interactive Sound Installation as an Implementation of Contemporary Communication Models

Chibalashvili

Kharchenko

Bezuhla

et al. 2022

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show abstract

“…Since visual impairment demands clear policies of accessibility over the factors mentioned, Mishra et al (2018), have suggested an environment descriptor to give natural language descriptions of images. Tsai et al (2019) suggested the indoor special voice navigation to ensure quality and effectiveness for those with and without visual impairments, and earcons are described by McGookin (2020) as abstract tones blended to form aural messages and represent events like someone entering or departing a virtual place. As mobile touchscreen technology has developed in sophistication, different users might receive significant benefits regarding their special needs.…”

Section: Visual Impairment and Mallmentioning

confidence: 99%

Language learning apps for visually impaired users: a systematic review

Robles,

Perez,

Villalba

et al. 2023

RPTEL

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The purpose of this literature review is to identify, categorize, and critically appraise research papers related to mobile apps for visually impaired people in language learning. This study intended to identify the language skills, the affordances, and the limitations encountered while designing and implementing the apps. Hence, a systematic review in the Scopus database and the virtual libraries of IEEE, SAGE, ERIC, and Science Direct, adhering to the PRISMA methodology, produced 274 research papers, and after the application of the different phases, a detailed analysis was performed using 17 articles. The results revealed that Information Communication Technologies, assistive technologies, and electronic accessibility features contributed to the usability guidelines and the current evolution toward modern language learning mobile applications for visually impaired users. The revised work also revealed how writing, reading, and spelling became more demanding for this particular special need, and that grammar-based and traditional activities are replaced by other communicative approaches. The emphasis was on speaking and listening skills due to these being less demanding in terms of technical requirements. The findings of this review provide insights for instructional designers to construct inclusive language learning apps which consider the three essential dimensions needed to achieve it: technological, pedagogical and psychological, in addition to appropriate affordances necessary for both sighted and visually impaired users.

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Exploring Design Cognition in Voice-Driven Sound Sketching and Synthesis

Monache

Rocchesso

2021

Lecture Notes in Computer Science

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Conceptual design and communication of sonic ideas are critical, and still unresolved aspects of current sound design practices, especially when teamwork is involved. Design cognition studies in the visual domain represent a valuable resource to look at, to better comprehend the reasoning of designers when they approach a sound-based project. A design exercise involving a team of professional sound designers is analyzed, and discussed in the framework of the Function-Behavior-Structure ontology of design. The use of embodied sound representations of concepts fosters team-building and a more effective communication, in terms of shared mental models.

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Foundations in Sound Design for Interactive Media

Cited by 6 publications

References 16 publications

Interactive Sound Installation as an Implementation of Contemporary Communication Models

Interactive Sound Installation as an Implementation of Contemporary Communication Models

Language learning apps for visually impaired users: a systematic review

Exploring Design Cognition in Voice-Driven Sound Sketching and Synthesis

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