Graffiti versus abstrakte Malerei

Glauser, Andrea

doi:10.14361/transcript.9783839415917.205

Cited by 1 publication

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“…This brings us to the notion that roundabout art, like graffiti (Glauser ) or street art (Borghini et al. ), could potentially be seen as art in the public space (Guy ).…”

Section: Central Aspects Of a Praxeological Research Perspectivementioning

confidence: 99%

“…This brings us to the notion that roundabout art, like graffiti (Glauser 2011) or street art (Borghini et al 2010), could potentially be seen as art in the public space (Guy 2015). Although "public space is a diffuse, rather than analytical concept" (Haas and Olsson 2014:62), it is used to denote "a physical site of interaction-a site defined as much by norms, expectations and perceptions as by reference to material settings" (Cassegard 2014:689), which is more or less accessible to the public and which is produced "in part on the basis of visual representations that reflect the cultures and interests of particular groups, often at the expense of others" (Shaw and Sullivan 2011:242).…”

Section: Relevant Concepts Of a Practice Theory Based Analysis Of Roumentioning

confidence: 99%

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On the Enactment of Roundabout Art: A Praxeological Analysis

Jonas

2019

City & Community

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The growth in the use of roundabouts to regulate traffic in many European countries has been accompanied for some years now by the planned use of their central islands. With the enactment of roundabout art, a new art form has established itself in the public space. Cities and regions that make use of such deployments generally do so for urban branding and community identity building purposes. Taking a praxeological perspective, this article uses a case study from Austria to demonstrate that the success and failure of such urban branding and community identity building practices does not depend solely on the ideas of the actors involved in the planning and implementation of roundabout art. Instead, it requires a broad perspective in which the enactment of roundabout art is understood as a phenomenon that is the result of the realization of the roundabout art itself as well as of the self‐development of these installations and the context‐dependent reception practices of their target audiences. In doing so, the article works out and suggests some central aspects of urban branding as well as roundabout art planning, implementation, and reception practices that could be used by urban planners, politicians, and other actors engaged in such artwork projects.

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“…This brings us to the notion that roundabout art, like graffiti (Glauser ) or street art (Borghini et al. ), could potentially be seen as art in the public space (Guy ).…”

Section: Central Aspects Of a Praxeological Research Perspectivementioning

confidence: 99%

Section: Relevant Concepts Of a Practice Theory Based Analysis Of Roumentioning

confidence: 99%