Humor katastrofe i internetski memi u vrijeme pandemije koronavirusa na primjeru dvaju instagramskih profila

Predojević, Željko

doi:10.29162/anafora.v8i1.1

Cited by 2 publications

(4 citation statements)

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“…As Easter holidays traditionally entail gatherings with family, internet memes emphasised the importance of adhering to precautionary measures. Since this thematic cycle of humour is conditioned by the pandemic, a natural disaster, and the way it is portrayed in the media, it can also be analysed in the context of disaster humour (Oring, 1987;Davies, 2003;Predojević, 2021a). According to some scholars, disaster humour serves as a form of collective mental hygiene and a defence mechanism (Blank, 2013: 23;Dundes, 1987), while others believe that such humour arises purely for entertainment purposes (Davies, 2003: 33).…”

Section: An Alysi S Of Humo Rous Dis Course and Eas Te R Por T Ray Al...mentioning

confidence: 99%

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#CovidEaster – Humour in the Digital Sharing of Easter Festive Material During the COVID-19 Pandemic

Predojević

2023

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During the COVID-19 pandemic, social media usage increased due to limitations on physical gatherings. As a result, social media platforms also became important outlets for celebrating holidays. is study therefore analyses the role of humour in the digital sharing of Easter festive material during the COVID-19 pandemic in the context of digital folklore. e research was conducted on the social media platform Instagram using Easter-related hashtags (#covideaster) to collect a digital corpus consisting of various visual-verbal internet genres, mainly internet memes and their subgenres. e corpus was divided into six thematic-motif groups and analysed in relation to topical cycle jokes, newslore, political humour, and disaster humour. Two groups present typical Easter symbols incorporated into pandemic-related memes, reflecting a modified typical image of Easter before and aer the pandemic. ey deliver humorous messages through incongruity resolution using familiar Easter-related imagery and news-inspired pandemic verbal messages. e remaining four groups present Easter in atypical ways, incorporating elements from popular culture, politics, classic jokes, and a parody of Leonardo da Vinci's Last Supper. It was concluded that the role of humour in the digital sharing of Easter festive material during the pandemic served various purposes. It provided a means of coping with the situation, acted as a communication tool for conveying important safety messages, and fostered a sense of community and connection among Instagram users.

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Section: An Alysi S Of Humo Rous Dis Course and Eas Te R Por T Ray Al...mentioning

confidence: 99%

“…Although such jokes were told previously, they have become much more popular since the rise of the internet and mass media (Davies, 2003: 30;Blank, 2013). The latest significant wave of such humour revolves around the COVID-19 pandemic (Dynel, 2021;Predojević, 2021a;Torres-Marín et al, 2022).…”

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confidence: 99%

#CovidEaster – Humour in the Digital Sharing of Easter Festive Material During the COVID-19 Pandemic

Predojević

2023

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“…Baran 2012;Dynel 2016;Laineste i Voolaid 2016;Predojević, 2021b) ili se "ponašaju" na njima analogan način u usmenom komuniciranju (usp. Oring 2016: 129-146;Predojević 2019Predojević , 2021a. Primjeri analizirani u ovom radu nastali su od tvitova, statusa s društvene mreže Twitter, a u posljednje se vrijeme ukazuje i na narativnost statusa s društvenih mreža (usp.…”

Section: Internetski (Humorni) žAnrovi I Njihov Suodnos S Klasičnimaunclassified

“…Attardo 1994: 47-49;Oring 2016: 16-33) što je čest oblik stvaranja humorna učinka u internetskim žanrovima (usp. Dynel 2016;Yus 2021b;Predojević 2021aPredojević , 2021b. Kletva se u humorni diskurs internetskih žanrova najčešće uvrštava kao efektna posljednja rečenica (68% primjera) ili unutar teksta 22 (23% primjera) gdje stvara scenarijske opreke (usp.…”

Section: Uloga Ludičke Kletve U Humornom Diskursu Internetskih žAnrovaunclassified

O ludičkoj kletvi u humornom diskursu internetskih žanrova

Predojević

2021

Nar. umjet. (Online)

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Rad je usmjeren na prikaz ironiziranja žanra kletve u humornom diskursu internetskih žanrova. Kletva je u kolektivnom pamćenju verbalni magijski žanr što podrazumijeva izricanje zla nekome, a u humornom diskursu internetskih žanrova primjenjuje se na neočekivano iskustvo čime se stvara ironijski nesklad između onoga što žanr kletve pretpostavlja i njegove uloge u digitalnom folkloru. Osim ironiziranja žanra kletve, zamjećuje se i kletvi atipična uloga stvaranja humorna učinka u diskursu internetskih žanrova. Ovakve šaljive inačice žanra kletve u digitalnom folkloru označene su terminom ludička kletva. Ludičke kletve su izrečene u šali, ali u sebi čuvaju ostatke vjerovanja u magijsku moć riječi što je razvidno korištenjem kletvi imanentnih formulacija, a prije svega konektora dabogda. Njime se evocira izricatelju kletve imanentna želja nekome nanijeti zlo, no primjenjuje se u duhovitu kontekstu čime se osjećajem neskladnosti ili nepodudarnosti stvara humorni učinak. Istraživanje je usmjereno na korisničke profile mrežne stranice Mudrolije sa Twittera na društvenim mrežama Facebook i Instagram.

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Humor katastrofe i internetski memi u vrijeme pandemije koronavirusa na primjeru dvaju instagramskih profila

Cited by 2 publications

References 0 publications

#CovidEaster – Humour in the Digital Sharing of Easter Festive Material During the COVID-19 Pandemic

#CovidEaster – Humour in the Digital Sharing of Easter Festive Material During the COVID-19 Pandemic

O ludičkoj kletvi u humornom diskursu internetskih žanrova

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