2013
DOI: 10.1080/1600910x.2013.838977
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‘I don't know whether I need a further level of disaster’: shifting media of sociology in the sandbox

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Cited by 9 publications
(8 citation statements)
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“…As anthropologist and philosopher of science Bruno Latour (1996) Guggenheim, Kraeftner, & Kroell, 2013). 16 In each of these cases, qualitative findings are embedded in descriptive scenarios that purposely blur the lines between art and scholarship, in turn distancing readers from particular trains of thought and thus opening up analytical spaces for new logics to emerge (or be tinkered with; cf.…”
Section: Resultsmentioning
confidence: 99%
“…As anthropologist and philosopher of science Bruno Latour (1996) Guggenheim, Kraeftner, & Kroell, 2013). 16 In each of these cases, qualitative findings are embedded in descriptive scenarios that purposely blur the lines between art and scholarship, in turn distancing readers from particular trains of thought and thus opening up analytical spaces for new logics to emerge (or be tinkered with; cf.…”
Section: Resultsmentioning
confidence: 99%
“…3 See, for instance, Haraway (1991a); Staudenmaier sj (1994); Law (2002); and Rose (1994). 4 See inter alia, Cole (2002); Gabrys and Yusoff (2011);Guggenheim, Kraeftner, and Kroell (2013); Kraeftner and others (2010); Latour and Weibel (2005); Law (2011b); Myers (2012); Neuenschwander (2008); Shared Inc. (2014). 5 And notably Deleuze and Guattari (1988).…”
Section: N Ot E Smentioning
confidence: 99%
“…Such a sensibility alerts us to mediums as 'just openings'; we need to go beyond them because 'data pictures do not give up their meaning in a single glance […] the pictures require more work before they give up their full meaning' (Becker 2007: 169). How photos are taken to how they are interpreted involve specific framings; the task then is to make the invisible chain of translations involved in generating the photo visible and part of the analysis (Guggenheim 2013). Attending to the medium thus calls for going 'behind' the arrangements of the photo, the digital image, or the sound recording and attending to the different human, material, and technical organisation of mediums and how these participate in and configure concepts and modes of knowing (Ruppert, Law, and Savage 2013).…”
Section: Medium: Specificmentioning
confidence: 99%
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“…Obviously, both this article as well as Savage's is themselves testament to this lack of reflexivity. The author of this article, though, has contributed in other texts to such a new visual sociology (see Guggenheim et al ): The reason why this article does not rely on complex translations is because of the specific features of loose translations.…”
Section: Tight Translations: Making the Invisible Visiblementioning
confidence: 99%