2014
DOI: 10.1515/cogsem-2014-0012
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Iconic semiosis and representational efficiency in the London Underground Diagram

Abstract: The icon is the type of sign connected to efficient representational features, and its manipulation reveals more information about its object. The London Underground Diagram (LUD) is an iconic artifact and a well-known example of representational efficiency, having been copied by urban transportation systems worldwide. This paper investigates the efficiency of the LUD in the light of different conceptions of iconicity. We stress that a specialized representation is an icon of the formal structure of the proble… Show more

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Cited by 6 publications
(5 citation statements)
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“…famous redesign of 1931) present the optimal representation of a fixed configuration abstracting away from irrelevant details concerning shapes of trajectories (see Figure 4, cf. also Atã, Bitarello, & Queiroz, 2014).…”
Section: Manipulating Diagrams To Extract Informationmentioning
confidence: 99%
“…famous redesign of 1931) present the optimal representation of a fixed configuration abstracting away from irrelevant details concerning shapes of trajectories (see Figure 4, cf. also Atã, Bitarello, & Queiroz, 2014).…”
Section: Manipulating Diagrams To Extract Informationmentioning
confidence: 99%
“…The ease of examination and manipulation of the relational parts in diagrams might even allow a better performance of the diagram as a cognitive artifact (Tylén et al 2014). By simplifying the visual elements and focusing on the relational parts, the diagram becomes easier to manipulate and understand, as shown in the case of metro maps (Atã et al 2014) -the simplifications of the railroads eases the reading of the map and makes it more functional. This emphasizes the need to examine the underlying relationships between the parts, rather than just the parts themselves, in order to understand the representation.…”
Section: Marking-for-self As Semiosismentioning
confidence: 99%
“…Diagrammatic iconicity is about how the systematic arrangement of different forms somehow mirrors the relationship between the things they reference. For example, the famous map of the London Underground mirrors the relations between different tube lines and stops along each line ( Atã et al, 2014 ); the sequence of conjugated verbs in the phrase veni, vidi , vici attributed to Julius Caesar mirrors the order in which these events occurred ( Jakobson, 1965 ); and the spatially motivated Auslan utterance POLICE CATCH THIEF mirrors both the spatial and agentive relations between policeman and thief ( Johnston, 1996 : 72). Diagrams do not perceptually resemble their object; they are better understood as a generality or schema ( Stjernfelt, 2019 ).…”
Section: Issues With Defining and Operationalising Iconicitymentioning
confidence: 99%