2015
DOI: 10.1017/cbo9781316084472
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Imagining the Byzantine Past

Abstract: Imagining the Byzantine Past Two lavish illustrated histories confronted and contested the Byzantine model of empire. The Madrid Skylitzes was created at the court of Roger II of Sicily in the mid-twelfth century. The Vatican Manasses was produced for Ivan Alexander of Bulgaria in the mid-fourteenth century. Through close analysis of how each chronicle was methodically manipulated, this study argues that Byzantine history was selectively re-imagined to suit the interests of outsiders. The Madrid Skylitzes fore… Show more

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Cited by 31 publications
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“…44 Through Theophilos' last action (the kissing of an icon), Theodora secured her husband's post mortem memory, 45 and signalized the end of Iconoclasm. 46 For Theodora it was important that Theophilos should have a positive image: her claim to the throne relied on it, 47 because she needed the support, not only of the iconophiles, but also of the iconoclast party, who would be unwilling to see their emperor condemned. 48 Pseudo-Symeon is the second writer to maintain Theophilos' conversion.…”
mentioning
confidence: 99%
“…44 Through Theophilos' last action (the kissing of an icon), Theodora secured her husband's post mortem memory, 45 and signalized the end of Iconoclasm. 46 For Theodora it was important that Theophilos should have a positive image: her claim to the throne relied on it, 47 because she needed the support, not only of the iconophiles, but also of the iconoclast party, who would be unwilling to see their emperor condemned. 48 Pseudo-Symeon is the second writer to maintain Theophilos' conversion.…”
mentioning
confidence: 99%