Imperial Gothic for Global Britain: BBC'sTaboo(2017–present)

Abstract

This article discusses the BBC drama Taboo (2017–present) as a contemporary example of imperial Gothic and places the series in the context of a current trend of ‘imperial nostalgia’ in British culture. It provides a close reading of the series with regard to its use of gothic traits like the exploration of morbid psychology, the function of the ghost as a metaphor for past trauma, the use of locale for gothic effect, and the evocation of body horror. By reading this contemporary narrative against this generic tradition, the paper highlights the ability of the Gothic to reflect on historical transformations and contemporary manifestations of discourses of Empire. The series, the discussion argues, seeks to critique Empire by portraying it as the agent of monstrosity and horror but eventually reproduces stereotypes of colonial otherness that were fundamental to imperialist ideologies. In this sense, Taboo is a text just as ambivalent as earlier imperial Gothic texts.

“I did as others did and as others had me do”: Postcolonial (Mis)Representations and Perpetrator Trauma in Season 1 of Taboo (2017-)

“…In the case of Taboo, the EIC is the imperialist power that has been profiting from the horrors of slavery and that sent men to commit atrocities in their name against African subjects. However, several critics have pointed out Taboo's historical inaccuracy in portraying the EIC as more powerful and cruel than it really was (Singh 2014;Major 2017;Mousoutzanis 2020,), while at the same time ignoring "its most significant sphere of influence" (Major 2017), India, that is largely absent from the series. By 1814, the influence of the EIC was waning.…”