Interseções performativas nos processos de criação de Rodrigo García e Tadeusz Kantor

Abstract

This article presents some relationship between creative process of Tadeusz Kantor and Rodrigo García through the perspective of the performative dramaturgy. From the scenic indications of Garcia described in Notas de Cocina, as well as from the writings of Kantor organized in the selection Theater of Death, we investigate the creative process of the Spanish group La Carnicería Teatro to propose a look for the dramaturgy as an articulator of processes, discourses, meanings and sensations, as well as catalyst of scenic materialities and poetic images. The articulation that emerges from this reflection will allow us to think about how dramaturgy operates in the Performative Theatre.