Handbook of Research on Leadership and Creativity 2017
DOI: 10.4337/9781784715465.00013
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Intrinsic motivation and creativity: Opening up a black box

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Cited by 24 publications
(21 citation statements)
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“…In his seminal work, McClelland proposed that ‘a calculated risk’ is an important aspect of scientific performance ( McClelland, 1963 ). Other writers have expressed similar views ( Sternberg and Lubart, 1995 ; Sternberg, 1997 ; Runco, 2015 ; Steele et al, 2016 ), calling a creative act a risk ( Haefele, 1962 ), as well as referring to the willingness of creative individuals to risk the uncertainty of the unknown ( Getzels and Jackson, 1962 ). Despite these suggestions, most of the literature is speculative in nature and little empirical data exists to support such claims.…”
Section: Introductionmentioning
confidence: 93%
“…In his seminal work, McClelland proposed that ‘a calculated risk’ is an important aspect of scientific performance ( McClelland, 1963 ). Other writers have expressed similar views ( Sternberg and Lubart, 1995 ; Sternberg, 1997 ; Runco, 2015 ; Steele et al, 2016 ), calling a creative act a risk ( Haefele, 1962 ), as well as referring to the willingness of creative individuals to risk the uncertainty of the unknown ( Getzels and Jackson, 1962 ). Despite these suggestions, most of the literature is speculative in nature and little empirical data exists to support such claims.…”
Section: Introductionmentioning
confidence: 93%
“…The results suggested risk-taking was the "strongest predictor of creative personality and ideations scores" (Tyagi, Hanoch, Hall, Runco, & Denham, 2017). The strong relationship between risktaking and creativity holds true across multiple other research efforts (Eisenman, 1987;Pankove & Kogan, 1968;Sternberg, 2012;Steele, McIntosh, & Higgs, 2016). Based on the available literature in the field of creativity research, risk-taking is an individual characteristic closely related with both creative ability and production.…”
Section: ) Willingness For Risk-takingmentioning
confidence: 99%
“…Since traditional tests are primarily concerned with divergent thinking, some of the more whole-picture creativity measures set forth in the TCT-DP do not have direct links to the traditional measures. As such, Jellen and Bugingo (1989) (Guilford, 1967a;Guilford, Creativity, 1950;Guilford, Three faces of intellect., 1959;Cropley, 2000;Clapham, 1997;Clapham & Schuster, 1992;Runco, Millar, Acar, & Cramond, 2010;Kim, 2011 Need to explore and understand the known and unknown (Harrison, 2016;Hunter, Abraham, Hunter, Goldberg, & Eastwood, 2016;Windahl, 2017;Litman, 2005) Ne New Elements Originality Ability to generate novel ideas (George & Zhou, 2001;Wutrich & Bates, 2001;Furham, 1999;Perrine & Brodersen, 2005;Dollinger, Urban, & James, 2004;Feist, 2010) Ability to coalesce multiple ideas into one (Runco & Nemiro, 1994;Belski, 2009;English, 1997;Lai, Roan, Greenberg, & Yang, 2008;Ozyurt & Ozyurt, 2015;Wakefield, 1985;Rostan, 1994 Capacity for emotional transference (Genco, Johnson, Holtta-Otto, & Conner Seepersad, 2011;Chan & Schunn, 2014;Gardner & Winner, 1982;Piirto, 2004;Kohn, Paulus, & Korde, 2011;Mednick, 1962 Ability to take action in the face of the unknown (Eisenman, 1987;Pankove & Kogan, 1968;Sternberg, 2012;Steele...…”
Section: Evaluating Creativitymentioning
confidence: 99%
“…Faktor internal lain yang juga penting dalam kreativitas ialah motivasi intrinsik (Amabile, 1996). Hal ini karena motivasi intrinsik dianggap mempromosikan kreativitas melalui perasaan menghargai kompetensi dan minat yang berkontribusi pada pengembangan berkelanjutan dari pengetahuan dan keterampilan yang relevan dengan kreativitas (Steele, Mcintosh, & Higgs, 2017…”
Section: Diskusiunclassified