Jonathan Strange & Mr Norrell, The Magic of Sociality, and Radical Fantasy

Abstract

Despite huge sales and publicity on its issuance in 2004, Susanna Clarke’s Jonathan Strange & Mr Norrell has received comparatively little sustained critical attention. This article argues that much of this neglect proceeds from assumptions that the book is nostalgic for a sovereign magic, when in fact its historicity is a way of shaking up time itself. I argue Clarke is looking to the early nineteenth century as the earliest possible modernity, a time in which magic is intertwined with the world much as it would be today if magic arose now. Examining the sociable magician Norrell, the questionably resurgent medieval king John Uskglass and the African-descended manservant Stephen Black provide different models of what the interrelationship between magic and reality can be and serve to destabilize any sense of a sovereign past in the book. The book’s plural magical modernity’s counter any atavistic sovereignty. By taking the reading of Clarke’s novel beyond nostalgic sovereignty, one can understand how it participates in the twenty-first century revaluation of fantasy as politically progressive and epistemically radical.

The national myth in S. Clarke’s novel “Jonathan Strange & Mr Norrell”

“…Произведение С. Кларк стало одним из ярких примеров расцвета жанра фэнтези в литературе рубежа XX-XXI вв. В современном английском литературоведении основное внимание уделяется связи романа с литературной традицией фэнтези [2], стилистике повествования и использованию автором различных приемов художественного письма XIX в. [3], вопросам личностной и общественной эмансипации, проецируемым на настоящее [4].…”