Intellectualist theories attempt to assimilate know how to propositional knowledge and, in so doing, fail to properly explain the close relation know how bears to action. I develop here an anti-intellectualist theory that is warranted, I argue, because it best accounts for the difference between know how and mere ''armchair knowledge.'' Know how is a mental state characterized by a certain world-to-mind direction of fit (though it is non-motivational) and attendant functional role. It is essential of know how, but not propositional knowledge, that it makes possible performance errors and has the functional role of guiding action. The theory is attractive, in part, because it allows for propositional, non-propositional and perhaps even non-representational varieties of know how.Keywords Know how Á Propositional knowledge Á Intellectualism Á Direction of fit Á Functional role Á Performance errorsThe recent literature on knowing how is dominated by intellectualism. 1 Most intellectualists subscribe to what is, frankly, a rather unintuitive view: to know how to do something is to know that it can or ought to be performed in a certain way. Resistance to intellectualism can be motivated by appeal to the essential link that know how bears to action, a link that is best captured within an anti-intellectualist model.A theory of knowing how, whether intellectualist or anti-intellectualist, must respect the distinctions we ordinarily draw between those who know how to perform an action and those who merely have ''armchair knowledge'' about how the action is performed. Attending carefully to these distinctions reveals an important and, I believe, essential feature of know how. Knowing how, in contrast with mere ''armchair knowledge,'' has a world-to-mind ''direction of fit'' (similar to but importantly different from the world-to-mind direction of fit of motivational states). The central claim in the paper is that know how is exhaustively characterized by a certain direction of fit and attendant functional role.
Knowing how and armchair knowledgeThe most famous discussion of knowing how is somewhat dated, occurring in chapter two of Gilbert Ryle's The Concept of Mind. Recently, however, there has been a renewal of interest in the subject among philosophers. Even those who haven't read the relevant philosophical literature are sure to have some grasp of the concept, mediated by a familiarity with the distinction between knowing how and knowing that. This is the distinction that marks the difference between an artist's knowledge and an art critic's, an athlete's knowledge and an instructor's. The one involves a fittingness for practical engagement with the world, the other a theoretical appreciation of that engagement.One of the most important sources of evidence to which an adequate theory of know how must attend are the cases that provide us with our fundamental grasp of the concept. These cases evince a contrast between practical and theoretical knowers-between, on the one hand, individuals who genuinely know how to perform...