Kritik der Kritik

Lützeler, Paul Michael

doi:10.1007/978-3-476-05730-3_2

Cited by 2 publications

(1 citation statement)

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“…According to Biendarra and Eigler (2020: 233) – in the introduction to a special issue of the journal Colloquia Germanica dedicated to Europe in contemporary German language literature – this is due to history, the role of the German-speaking world in the EU and, in Germany itself, because of the far-right Alternative für Deutschland party they argue, and this is very much reflected in its artistic production. Indeed, if one simply surveys the extensive career of the Germanist Paul Micheal Lützeler (1994, 1997, 1998, 2007, 2012, 2015, 2019), one can only conclude that there exists quite a substantial literary tradition of Europa-Essayistik in the German language, from the Romantic age to contemporary times, which has generally engaged with Europe in political-conceptual terms.…”

Section: Introductionmentioning

confidence: 99%

Depicting European federalists in fiction: Richard Coudenhove-Kalergi in Bernhard Setzwein’s Der böhmische Samurai (2017) and Heinrich Mann in Colm Tóibín’s The Magician (2021)

Lenehan

2023

Journal of European Studies

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This article analyses the representation of Richard Coudenhove-Kalergi in Bernhard Setzwein’s Der böhmische Samurai (2017) and Heinrich Mann in Colm Tóibín’s The Magician (2021). This discussion is situated in a number of wider contexts, including literary European Studies within German and Irish Literary Studies; existing representations of European federalists/Europeanists; the actual European thought of Richard Coudenhove-Kalergi and Heinrich Mann; and the oeuvre of the novelists Bernhard Setzwein and Colm Tóibín. It is argued that the representation of European federalists in recent novels enables us to analyse common attitudes and understandings of Europe and Europeanness in the current environment of Euroscepticism, self-questioning, and self-doubt at the institutional as well as constituent levels. It is also argued that the European federalists Richard Coudenhove-Kalergi and Heinrich Mann are represented as European cosmopolitans: Both are depicted as existing within a wide variety of transnational links, as remaining deeply sceptical of nationalism, especially in its violent form, and as arguing for the extension of the space of the political, beyond the national. Their depiction is, thus, of intellectual figures who laid some of the ideational groundwork for the creation of later European institutions, undertaking this reflective task from the perspective of an idealistic, pacifist and deeply democratic cosmopolitanism.

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Section: Introductionmentioning

confidence: 99%