Le critique, la presse et la nation : Rémy de Gourmont au Mercure de France, 1890-1900

Wilfert-Portal, Blaise

doi:10.3406/caief.2007.1655

caief

2007

DOI: 10.3406/caief.2007.1655

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Le critique, la presse et la nation : Rémy de Gourmont au Mercure de France, 1890-1900

Blaise Wilfert-Portal¹

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Hanuš Jelínek’s Beginnings in Mercure de France

Servant¹

2016

Acta Musei Nationalis Pragae – Historia Litterarum

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Abstract The aim of this article is to describe the beginnings of the cooperation between Hanuš Jelínek and the journal and publishing house Mercure de France. In March 1900, Jelínek published, under the pseudonym Jean Otokar, his first study ‘La Poésie moderne tchèque’ in the Parisian journal. For some time, the critic then wrote the column ‘Lettres tchèques’ (August 1900 – February 1903) in Mercure – after Alexandr Bačkovský (alias Jean Rowalski) and before William Ritter. The early origin of the ‘Lettres tchèques’ of Bačkovský and Jelínek as a result of the aesthetic affinity between literary and artistic modernism on the one hand and some French and Francophone circles of the time on the other has the merit of introducing the readers of an important French periodical to Czech production. These columns have their firm place in the history of Czech efforts to gain recognition in France and the French-speaking world.

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Hanuš Jelínek’s Beginnings in Mercure de France

Servant¹

2016

Acta Musei Nationalis Pragae – Historia Litterarum

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Impressionistic Literary Portrait in “Le Livre Des Masques” (“The Book of Masks”) by Remy De Gourmont

Fenko¹

2018

Philology. Theory & Practice

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Статья посвящена поэтике "Книги масок" (1896) Реми де Гурмона (1858-1915)французского автора, одного из основателей художественной критики. Выявлено своеобразие импрессионистического литературного портрета в творчестве Реми де Гурмона. Обозначена связь литературного портрета Гурмона с традицией жанра, заложенной Ш.-О. Сент-Бёвом. Описаны изменения структуры жанра в "Книге масок" в контексте импрессионистической критики рубежа XIX-XX вв. Сделан акцент на эмоционально-оценочной тональности и ассоциативности, свойственной литературному портрету Гурмона.

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Le critique, la presse et la nation : Rémy de Gourmont au Mercure de France, 1890-1900

Cited by 2 publications

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Hanuš Jelínek’s Beginnings in Mercure de France

Hanuš Jelínek’s Beginnings in Mercure de France

Impressionistic Literary Portrait in “Le Livre Des Masques” (“The Book of Masks”) by Remy De Gourmont

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