2016
DOI: 10.4000/remi.8179
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Le marché de Sabra à Beyrouth par l’image et le son. Retour sur une enquête intensive

Abstract: Ce texte a pour ambition d’apporter une contribution méthodologique aux études sur les formes de coprésence dans les lieux de densité et d’hétérogénéité humaines. Il décrit les dispositifs audio-visuels déployés sur un marché de Beyrouth situé dans le quartier de Sabra, leur réception par les acteurs et les effets de connaissance attendus. Tous les dimanches, des outsiders migrants asiatiques principalement originaires du Bangladesh insèrent leurs propres activités sociables et commerciales sur ce marché occup… Show more

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Cited by 6 publications
(1 citation statement)
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“…I would like to emphasize the necessity to not forget that working on the sonic dimension of the world and of our existence is an arbitrary cut-out: in Western sensorium, we tie 'sonic' to 'auditory' , but the 'auditory' modality is surely embedded in multisensory practices and competences. To go back to an uneasy multisensory ethnography that explores the multiplicity of sensorialities, as Puig did along with his team in Beirut (Kassatly et al 2016), seems to me unavoidable.…”
Section: Resultsmentioning
confidence: 99%
“…I would like to emphasize the necessity to not forget that working on the sonic dimension of the world and of our existence is an arbitrary cut-out: in Western sensorium, we tie 'sonic' to 'auditory' , but the 'auditory' modality is surely embedded in multisensory practices and competences. To go back to an uneasy multisensory ethnography that explores the multiplicity of sensorialities, as Puig did along with his team in Beirut (Kassatly et al 2016), seems to me unavoidable.…”
Section: Resultsmentioning
confidence: 99%