Los Simpson, un fenómeno social con 20 años de permanencia en la programación televisiva

Lazo, Carmen Marta; Lasheras, Alejandro Tovar

doi:10.14198/medcom2011.2.08

Cited by 6 publications

(1 citation statement)

References 3 publications

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“…the beginning it was shown after midnight, it ended being showed during the period when children are supposed to be protected, 53 despite being very appealing to youth. 54 The role of the Simpsons in Chile is not surprising as it has been documented as a prominent source of harmful messages, 55 including tobacco imagery in several countries. 28 33 56 57 The role of reality shows in exhibiting tobacco imagery appears to be different in Chile and the UK.…”

Section: Original Researchmentioning

confidence: 99%

Exposure of 4-year to 24-year olds to tobacco imagery on prime-time Chilean television

et al. 2021

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IntroductionThe extent of the population’s exposure to tobacco imagery across all genres of regular TV programming and the contribution of each of these genres is unknown, except for UK broadcast channels. The objective of this study is to estimate the exposure of young people to tobacco imagery on Chilean prime-time television and the programme source contributing to such exposure.MethodsProgrammes aired during 3 weeks in 2019 from the 15 highest audience channels in Chile were content-analysed for the occurrence of tobacco categorised as actual use, implied use, tobacco paraphernalia, tobacco brand appearances and whether they violated Chilean smoke-free law for each 1 min interval (92 639). The exposure of young people to tobacco content was estimated using media viewership figures.ResultsYoung people received 29, 11 and 4 million tobacco impressions of any type, explicit use and smoke-free violation, respectively, at a rate of 21.8, 8.0 and 2.1 thousand impressions per hour of TV viewing. The main sources of exposure to tobacco impressions were feature films and animated productions, which were almost entirely non-Chilean. Finally, young people were exposed to tobacco brand impressions primarily through films, effectively circumventing the advertising ban in Chile.DiscussionTelevision programming is a source of significant youth exposure to tobacco imagery, including branding impressions. To conform to the WHO FCTC, Chile should prohibit tobacco branding in any TV programme and require strong anti-tobacco advertisements prior to any TV programme portraying tobacco.

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Section: Original Researchmentioning

confidence: 99%

Exposure of 4-year to 24-year olds to tobacco imagery on prime-time Chilean television

et al. 2021

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Fandubbing across time and space

Baños

2019

Benjamins Translation Library

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This chapter investigates a phenomenon that has received scant academic attention so far: fandubbing. To understand the extent and impact of this participatory practice in the current landscape, the chapter examines fandubbing origins and reflects on the needs met by fandubs at different times and contexts. The plethora of uses and motivations behind this phenomenon question the suitability of the term fandubbing. Against this backdrop, and drawing on Díaz-Cintas’s (2018) conception of “cybersubtitles”, the chapter advocates using the term cyberdubbing to reflect the wide range of non-traditional online dubbing practices so prevalent nowadays, including parodic and serious dubbings undertaken by fans, Internet users and digital influencers, be them professionals or amateurs.

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Análisis semiótico y comparativo de Proletario y Parásito (Los Simpsons)

Vázquez-Miraz

2023

SEECI

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Proletario y Parásito es una escena animada de menos de veinte segundos de duración del capítulo Krusty Gets Kancelled de Los Simpsons (4a temporada / año 1993) que parodia a los dibujos vanguardistas de Europa oriental del siglo XX, además de ser una crítica contemporánea del capitalismo estadounidense hacia el derrotado modelo comunista de finales de los 90. Por medio de la semiótica se pretende analizar y comparar toda la información que promueve este popular «sketch» a la audiencia por medio de la introducción al dibujo, las cinco escenas que lo conforman y el desenlace a su emisión en el transcurso del capítulo. Los resultados indican que Proletario y Parásito se puede identificar plenamente a la denominada animación experimental, siendo su gran contraste con la animación comercial la clave del éxito de esta icónica escena animada, si bien la escena reflejaría solo una idea preconcebida que tiene el pueblo estadounidense de la animación de Europa del Este y no su profunda riqueza. Estereotipo que se divulgaría también a España debido a la popularidad de la serie de televisión.

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Los Simpson, un fenómeno social con 20 años de permanencia en la programación televisiva

Cited by 6 publications

References 3 publications

Exposure of 4-year to 24-year olds to tobacco imagery on prime-time Chilean television

Exposure of 4-year to 24-year olds to tobacco imagery on prime-time Chilean television

Fandubbing across time and space

Análisis semiótico y comparativo de Proletario y Parásito (Los Simpsons)

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