M.M. Bakhtin’s Chronotope Conception in the Aspect of Language and Thinking Interrelation Problem

Klemenova, Elena; Kudryashov, Igor A.

doi:10.20916/2071-9639-2016-25-817-823

Cited by 1 publication

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“…Contemporary studies in narratology [25][26][27][28] provide different views of psychonarrative. More specifically, it is defined as 1) a technique for representing the character's consciousness in the third person narrative [25,27,28]; 2) a subdiscourse of the character's inner speech [29]; 3) the author's narrative technique aiming to portray the metamorphosis of the character's psyche [26]. In this regard, psychonarrative is considered as the author's discourse about the character's consciousness [ibid.].…”

Section: The Notion Of Psychonarrative In Coetzee's Fictionmentioning

confidence: 99%

Ludic effects in fiction: A case study of J.M. Coetzee’s Disgrace and its Russian and Ukrainian translations

Izotova

2021

SHS Web Conf.

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This article discusses translation strategies involved in reproducing ludic effects in Russian and Ukrainian translations of Coetzee’s novel Disgrace. Ludic effects, embedded in the text, outline the potential result(s) of literary gaming. Created in different games, a number of ludic effects trigger ludic stylistics – a new heuristic area of linguistic “ludology”. The paper defines ludic stylistics as an artistic phenomenon manifested in literary text due to unconventional combinations of various linguistic means. In Coetzee’s Disgrace, ludic stylistics is the result of psychonarrative games aimed to transform plot-driven narratives into experience-centred. Psychonarrative games are governed by two principles – “external via internal” and semantic intrusiveness through semantic, plot-building, and compositional games represented at the macro- and microlevels of literary text. The study focuses on sematic games which enable construing new, emergent textual senses which bring the personage’s / narrator’s unceasing, obsessive experience of traumatic events to the fore. The paper looks at the translation strategies of rendering ludic effects in the translations of Coetzee’s Disgrace from two perspectives – intentional and receptive. The reproduction of such effects in Russian and Ukrainian translations of Disgrace is grounded in lexico-semantic, syntactic, associative-figurative, and functional equivalence, as well as respective loss, and gain.

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Section: The Notion Of Psychonarrative In Coetzee's Fictionmentioning

confidence: 99%

Ludic effects in fiction: A case study of J.M. Coetzee’s Disgrace and its Russian and Ukrainian translations

Izotova

2021

SHS Web Conf.

View full text Add to dashboard Cite

show abstract

M.M. Bakhtin’s Chronotope Conception in the Aspect of Language and Thinking Interrelation Problem

Cited by 1 publication

References 0 publications

Ludic effects in fiction: A case study of J.M. Coetzee’s Disgrace and its Russian and Ukrainian translations

Ludic effects in fiction: A case study of J.M. Coetzee’s Disgrace and its Russian and Ukrainian translations

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