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Traditionally, rock engravings were studied through their visual characteristics. They have been analyzed with comparative and interpretative methodologies of iconography and iconology. However, there has been a recent shift towards identifying production processes, allowing reconstruction of operational characteristics through various methods. Nevertheless, the studies of the technological aspects typically focus on the operational and the mechanical, often omitting the visuality of the outcome. In the current paper, we are using ArchCUT3-D software for computational analysis of 3-D data acquired from various rock engravings located in Timna Park, southern Israel. We show how micro-morphological evidence, extracted from the engraved lines, can decode technical trends and variabilities in a technique’s particular implementation. Then, we conduct a focused examination of one group of engraved figures in order to establish a link between execution techniques and visual considerations. Based on our results and the following discussion, we suggest the term Techné to indicate the choice of technique that goes beyond the instrumental or purely operative perspectives. We highlight the intentional choice, which designs the visual rhetoric of the engraved marks and suggests cultural concepts that contrived the procedural processes.
Traditionally, rock engravings were studied through their visual characteristics. They have been analyzed with comparative and interpretative methodologies of iconography and iconology. However, there has been a recent shift towards identifying production processes, allowing reconstruction of operational characteristics through various methods. Nevertheless, the studies of the technological aspects typically focus on the operational and the mechanical, often omitting the visuality of the outcome. In the current paper, we are using ArchCUT3-D software for computational analysis of 3-D data acquired from various rock engravings located in Timna Park, southern Israel. We show how micro-morphological evidence, extracted from the engraved lines, can decode technical trends and variabilities in a technique’s particular implementation. Then, we conduct a focused examination of one group of engraved figures in order to establish a link between execution techniques and visual considerations. Based on our results and the following discussion, we suggest the term Techné to indicate the choice of technique that goes beyond the instrumental or purely operative perspectives. We highlight the intentional choice, which designs the visual rhetoric of the engraved marks and suggests cultural concepts that contrived the procedural processes.
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