Malaysian Batik, Our Pride: A Systematic Literature Review

Wahed, Wan Juliana Emeih; Amin, Halina; Bohari, Asmah Alia Mohamad; Pindah, Chrisna; Azmi, Safrina

doi:10.6007/ijarbss/v12-i10/14950

Cited by 3 publications

(4 citation statements)

References 17 publications

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“…In its simplest definition, batik is a decorative product of artwork inspired by batik artists. When batik artisans design preferred patterns, the term is based on the action of the wax dripping or dripping onto the fabric (Wahed et al, 2022). Thus, by the simplest definition, batik is a decorative product of artwork inspired by batik artists.…”

Section: Literature Reviewmentioning

confidence: 99%

“…Shamsuddeen & Wan Samiati Andriana (2021) have analysed the form and content of Chuah Thean Teng's works based on the framework of Malay aesthetic values and differentiated between 'Batik Painting ' and 'Painting Batik'. Wahed et al (2022) argued that Malaysian batik is rich in design and colour but lacks a distinctive character and therefore needs more innovation, especially in the choice of design themes. Some scholars will concentrate on the cultural attributes of the artist.…”

Section: Literature Reviewmentioning

confidence: 99%

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Differences in Painting Styles of Malaysian Chinese Artists in Different Periods

Geng,

W Mohamad Daud,

Tahir

et al. 2024

E-BPJ

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Chuah Thean Teng, through continuous experimentation and improvement, has upgraded Batik from a traditional craft to an artwork with cultural significance and national characteristics. His son and grandson are also trying to develop batik painting. The primary purpose of this study is to explore the batik works of artists from different periods. The results show that from the first to the third generation of Chinese artists, their creations have gradually pursued stylistic diversity from their original focus on cultural significance. This study contributes to the dissemination of batik art.

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Section: Literature Reviewmentioning

confidence: 99%

Section: Literature Reviewmentioning

confidence: 99%

Differences in Painting Styles of Malaysian Chinese Artists in Different Periods

Geng,

W Mohamad Daud,

Tahir

et al. 2024

E-BPJ

View full text Add to dashboard Cite

show abstract

“…According to Wahed et al (2022), the word batik's suffix, "tik," means "to make small dots. "When the batik artisan creates the desired pattern, wax is applied to the fabric in a dripping or dropping motion.…”

Section: Malaysian Batikmentioning

confidence: 99%

“…Therefore, attention should be placed on analysing the patterns while interpreting batik artworks. Wahed et al (2022) say that design patterns in Malaysia have historically evolved to suit the country's demands. On the other hand, traditional design elements remain distinctive because each motif has its visual components and aesthetic meaning.…”

Section: Chuah Thean Teng's Batik Paintingsmentioning

confidence: 99%

The Spirit and Elements of Malaysian Multiculturalism in Chuah Thean Teng’s Batik Paintings

Wenyan,

Wan Mohamad Daud,

Tahir

2023

IdJ

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This paper examines the batik paintings of Chinese artist Chuah Thean Teng in the context of Malaysia’s multicultural society. Batik, an ancient traditional craft in Malaysia, was initially produced on textiles through wax and dyes and is often applied to daily clothing and objects. As such, the motifs and elements of batik paintings are closely related to the local culture and have a high symbolic value. Chuah Thean Teng has improved and developed the batik process into a work of art with aesthetic value. This paper aims to understand the social and cultural climate of the time through a generalised analysis of the results of Chuah Thean Teng to evaluate the artistic elements embedded in the batik works. The paper adopts an art historical research approach, which consists mainly of form and context analysis. The study is descriptive, with data in the form of text and images, including the artworks themselves, publications, books, journals, and other official records. Chuah Thean Teng, a Chinese artist, has inherited and evolved the traditional Malaysian batik art by seeking artistic inspiration in a culturally diverse environment. His work is a hybrid expression, reflecting the exchange and borrowing between cultures. This is in keeping with the historical context of the time and also conveys modern Malaysian art’s inclusiveness, diversity, and richness. As an essential part of contemporary Malaysian art, batik painting is itself a sign of modernity. It is hoped that this study will help to enrich the research and analysis of Malaysian batik painting and, through it, generate interest in batik painting and provide knowledge and methods of interpreting the content of the artwork.

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Study on the Extensibility of Chinese Traditional Culture in College Education by Combining Gray Correlation Analysis Methods--Taking Miao Batik as an Example

2024

Applied Mathematics and Nonlinear Sciences

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Miao batik’s unique cultural connotation suggests that it has important inheritance significance as a part of Chinese traditional culture. Combined with the discussion on the protection and inheritance of Miao batik, this paper proposes to utilize the entropy value method and the hierarchical analysis method to analyze and screen the influencing factors of the inheritance and development of Miao batik in college education and to calculate the weight coefficients of the four levels of human resources, material resources, financial resources, and intelligence. By using the greyscale correlation analysis method, the correlation between each influential factor and the development of the educational inheritance of Miao batik in colleges and universities can be calculated, and the degree of importance can be ranked. Based on the development of traditional culture courses in colleges and universities, the teaching path of Miao batik technique courses in colleges and universities is proposed, assisted by information technology. According to the ranking of the degree of relevance, the indicator “curriculum construction (0.9364)” has the greatest relevance to the development of the educational inheritance of Hmong batik culture in colleges and universities, and the relevance of “club construction (0.6008)” to the development of the educational inheritance of Hmong batik culture in colleges and universities is the smallest. Minimum. Colleges and universities can adjust the curriculum structure of Miao batik to improve the extension and development of traditional Chinese culture represented by Miao batik in colleges and universities.

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Malaysian Batik, Our Pride: A Systematic Literature Review

Cited by 3 publications

References 17 publications

Differences in Painting Styles of Malaysian Chinese Artists in Different Periods

Differences in Painting Styles of Malaysian Chinese Artists in Different Periods

The Spirit and Elements of Malaysian Multiculturalism in Chuah Thean Teng’s Batik Paintings

Study on the Extensibility of Chinese Traditional Culture in College Education by Combining Gray Correlation Analysis Methods--Taking Miao Batik as an Example

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