Mapping strategies for gestural and adaptive control of digital audio effects

Verfaille, Vincent; Wanderley, Marcelo M.; Depalle, Philippe

doi:10.1080/09298210600696881

Cited by 21 publications

(10 citation statements)

References 19 publications

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“…Les travaux de [McIntyre 1979, Chafe 1989, Rank 1999 La difficulté du contrôle de la synthèse sonore réside dans les possibilités de mise en correspondance (mapping) entre données gestuelles et sonores [Arfib 2002, Hunt 2002, Verfaille 2006. Le modèle physique de [Demoucron 2008] se concentre particulièrement sur cet aspect de "jouabilité", et la qualité du mapping entre l'espace des paramètres de contrôle du régime périodique de Helmholtz (zone Normal du diagramme de Schelleng), et les propriétés acoustiques du son synthétisé (niveau sonore et centroïde spectral).…”

Section: Le Contrôleunclassified

The influence of cellist's postural movements on their musical expressivity

Roze

Aramaki

Kronland‐Martinet

et al. 2017

The Journal of the Acoustical Society of America

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RemerciementsAvant de présenter ce travail de thèse, je souhaiterais remercier toutes les personnes ayant contribué de près ou de loin à la réalisation de ce projet. A commencer par mes parents pour leur soutien indéfectible, qui ont toujours su garder foi en moi malgré des choix de vie différents de leurs prévisions. Merci aussi à Pascal Gobin, professeur d'électroacoustique au conservatoire de Marseille, sans qui je n'aurais jamais eu connaissance des opportunités de recherche en acoustique instrumentale. Cela faisait longtemps en effet que je nourrissais l'envie de pouvoir mettre mes compétences scientifiques au service d'un instrument de musique devenu ma passion depuis huit ans maintenant : le violoncelle. L'opportunité m'en a été donnée grâce à l'équipe très chaleureuse de chercheurs qui m'ont accueilli et fait confiance pour entreprendre ce projet de thèse : ma directrice de thèse tout d'abord, Sølvi, dont la bonne humeur et patience à mon égard ont toujours été d'un grand soutien, surtout dans les périodes initiales et finales de la thèse... Richard ensuite, dont l'expérience et la justesse de raisonnement, m'ont bien souvent laissé admiratif. Et bien sûr Mitsuko dont les capacités d'écoute réactive et les point de vue avisés m'ont énormément apporté, notamment lors de la rédaction des articles scientifiques. Merci vraiment à cette équipe de trois encadrants aux grandes qualités humaines, pour être si investis, passionnés et ouverts sur les autres. A propos de qualité humaine, j'adresse un remerciement tout particulier à Pascal Campion de l'école doctorale ED353, pour son excellente écoute, ses précieux conseils et sa compréhension des fragilités individuelles.

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Section: Le Contrôleunclassified

The influence of cellist's postural movements on their musical expressivity

Roze

Aramaki

Kronland‐Martinet

et al. 2017

The Journal of the Acoustical Society of America

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“…A full review of DMI design is beyond the scope of this thesis but reviews can be found in [87,120,115,45]. Within the DMI design community, considerable attention has focused on sensor types [72] and mapping [43,59,110], however sound output is an area with much left to explore. While physical modelling of acoustic musical instruments remains an active area of research [49,93,96,98,108] and new digital sound synthesis techniques are still introduced including physically-inspired modelling [24], scanned synthesis [62] and concatenative synthesis [92], sound production based on acoustic vibrating elements still holds interest for composers and performers.…”

Section: Actuated Instrumentsmentioning

confidence: 99%

Traveling wave control of stringed musical instruments

Donovan

McPherson

2017

The Journal of the Acoustical Society of America

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I would like to thank my supervisor, Andrew McPherson, for giving me the chance to research such an interesting topic and for putting such a huge amount of e ort into this work over the years; my mum, Jenny Donovan, for a lifetime of inspiration and for keeping me on track the whole way through; everyone at the Augmented Instruments Laboratory and on the Bela team for providing such a stimulating working environment; everyone studying on or involved with the MAT program for some incredible experiences; and last but not least my flatmate Jay Pancholi for putting up with me writing this thing in his living room one long winter.

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“…Wanderley et al [9,10,11,12] deeply investigated the gestural control of the music and defined different aspects that should be taken into consideration for the gesture-based digital instruments. Fenza et al [13] presented a multi-layer controller with three stages of mapping that explore the analogies between sound and 3D movement spaces using Laban's theory.…”

Section: Related Workmentioning

confidence: 99%

Towards digital music performance for mobile devices based on magnetic interaction

Yüksel

Ketabdar²,

Roshandel³

2010

2010 IEEE International Symposium on Haptic Audio Visual Environments and Games

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Digital music performance require high degree of interaction using natural, intuitive input controllers that provide fast feedback on user's action. One of the primary considerations of professional artists is a powerful and creative tool that minimizes the number of steps required for the speed-demanding processes. Most of the musical performance applications, which are designed for mobile devices, use touch-screen or accelerometer as interaction modalities. In this work, we present a novel interface for musical performance that is based on the magnetic field sensor embedded in recent mobile devices. The proposed method, at this point, promises a new independent ground for inputting momentary data during music composition and manipulation process. Giving the opportunity to freely, fully and quickly utilize the surrounding 3D space, it possesses the potential to bring a wide-spectrum of unique options for production and performance process of music. Keywords-digital music performance; electronic instrument; magnetic field sensor; gesture-based interaction; mobile devicesI.

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Mapping strategies for gestural and adaptive control of digital audio effects

Cited by 21 publications

References 19 publications

The influence of cellist's postural movements on their musical expressivity

The influence of cellist's postural movements on their musical expressivity

Traveling wave control of stringed musical instruments

Towards digital music performance for mobile devices based on magnetic interaction

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