Mass aesthetic changes in the context of the development of world museums

Abstract

This article is relevant, as in the process when the world community is experiencing crisis phenomena in the public consciousness and social forms of existence, the change of the museum as an accumulator of works of art and cultural centres acquires historical significance. The novelty of the study is determined by the fact that exhibitions can be held not only online or during the period when museums act as cultural centres. The purpose of the study is to research the aesthetic changes in the context of global art communication through exhibition areas in the world of museums. The leading research method was comparative analysis, thanks to which mass aesthetic changes in the process of changing the global socio-economic environment were studied. The basis for the work of UNESCO as a global repository and management centre in the museum community was shown. The authors note that the formation of museum competence and a change in the aesthetics of mass consciousness on this basis is possible only if the structural content of the coordination of museum art. The authors see the creation of a single-world museum centre as the basis for such a change.