Abstract:This article uses Eva Noer Kondrup’s chamber opera Den Rejsende (Copenhagen 2018) to examine the challenges and opportunities provoked by the operatic form when attempting to create socially responsible theatre. Focusing on how opera reflects and contributes to contemporary discourse on migration, it examines how opera’s unusual performance and reception demands differentiate it from, for example, spoken verbatim theatre. The article first considers the most common way opera companies today engage with migrati… Show more
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