True Blood 2012
DOI: 10.5040/9780755698653.0007
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More than Cold and Heartless: The Southern Gothic Milieu of True Blood

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“…For our third example, we draw on cult fiction surrounding the transformation of werewolves. Cult fiction requires a level of audience engagement outside the observations from the simple confines of their living rooms (Abbott 2010 ; Cherry 2012 ; Mellins 2012 ; Ruddell and Cherry 2012 ). Recent years have witnessed a rise in the integration of gothic themes coupled with scientific innovation (Abbott 2010 ; Crow 2009 ; Martin and Savoy 1998 ; Goddu 1997 ).…”
Section: Genetics Genomics and Society: Powerful Explanatory Narratimentioning
confidence: 99%
“…For our third example, we draw on cult fiction surrounding the transformation of werewolves. Cult fiction requires a level of audience engagement outside the observations from the simple confines of their living rooms (Abbott 2010 ; Cherry 2012 ; Mellins 2012 ; Ruddell and Cherry 2012 ). Recent years have witnessed a rise in the integration of gothic themes coupled with scientific innovation (Abbott 2010 ; Crow 2009 ; Martin and Savoy 1998 ; Goddu 1997 ).…”
Section: Genetics Genomics and Society: Powerful Explanatory Narratimentioning
confidence: 99%