Abstract:The narrative of hard-boiled crime fiction is typically embedded in a city, and knowledge of this place is intrinsic to the investigator’s characterization. Through an examination of Jenny Siler’s Easy Money (1998) and Flashback (2004), this essay explores the impact on both the investigative narrative and the representation of identity when place is reconfigured. By employing Doreen Massey’s analysis of the politics of place and space and Manuel Castells’ concept of the “space of flows,” I examine how Siler’s… Show more
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