“…Researchers tried to understand the whole process better through studying black crusts from different places, such as the Seville Cathedral (Ruffolo et al, 2015), the Oceanus statue of the Fontana di Trevi (Rome) (La Russa et al, 2017), Halberstadt church (Germany) (Farkas et al, 2018), the Triumphal Arch of Galerius in Thessaloniki, Greece (Samara et al, 2020), the cathedral of Monza (Comite et al, 2020), the Punta Begona Galleries (Garcí a-Florentino et al, 2020), and so on. Meanwhile, different methods including spectrometric analysis (Nord and Ericsson, 1993;Potgieter-Vermaak et al, 2005;B Belfiore et al, 2013;Lamhasni et al, 2019), microscopic characterization (Pozo-Antonio et al, 2017), Chemical-Thermal quantitative methodology (Bonazza et al, 2005;Nadia et al, 2006), trace elements examination (Russa et al, 2013;Samara et al, 2020), sulphur and oxygen isotope analysis (Rivas et al, 2014;Genot et al, 2020;Aroskay et al, 2021) were used to figure out microstructure, chemical features and pollution sources of the black crusts.…”