2013
DOI: 10.1177/1350506812471026
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Narrative analysis as a feminist method: The case of genetic ancestry tests

Abstract: This article contributes to discussions of methodology in gender studies by examining narrative analysis as a feminist method. Using direct-to-consumer genetic ancestry services as a case study, the author discusses the potential of narrative analysis in interrogating complex cultural phenomena. The analysis focuses on the commercial website of the UK-based genetics company Oxford Ancestors, which the author situates at the intersection of the cultural narratives of commercialization, scientific advance and pe… Show more

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Cited by 12 publications
(8 citation statements)
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“…Narrative analysis was used to analyse the women’s stories, using story telling as the basis for exploration of a phenomenon [31, 32]. The narrative includes both the obvious story that is told and the underlying influences that frame the narrative [33]. Stories can be sequential and structured using timelines during analysis [34].…”
Section: Methodsmentioning
confidence: 99%
“…Narrative analysis was used to analyse the women’s stories, using story telling as the basis for exploration of a phenomenon [31, 32]. The narrative includes both the obvious story that is told and the underlying influences that frame the narrative [33]. Stories can be sequential and structured using timelines during analysis [34].…”
Section: Methodsmentioning
confidence: 99%
“…The study used a feminist narrative inquiry (Oikkonen 2013) with face-to-face research conversations with women who had received ECT. The narrative approach, as suggested by Connelly and Clandinin (2006), enabled women's stories to be gathered in a way that honoured their different voices and the subjective nature of their experiences.…”
Section: Methods Designmentioning
confidence: 99%
“…From Kavoori (2015), Lange (2008), and Vonderau (2016) I gained a deeper understanding of YouTube as a digital platform, pairing nicely with Couldry (2008), who explained that digital narratives (that is, narratives in a digital form) have patterns and logics consistent with the digital platform they are upon, which suggests that these videos should exhibit some commonalities. This leads into Gubrium and Holstein (1995;1998), who identify multiple common components to narratives, which are supported by Nayar (2016), Oikkonen (2013), andO'Riordan's (2011) understanding of genetic testing offering distinct opportunities for narrative construction, thus bridging the path from the Reveal genre into the genre of the Reveal as part of a larger narrative.…”
Section: Methodsmentioning
confidence: 99%