“…The restriction is broken in the course of new technical possibilities (e.g., VR and AR cartography). Using these opportunities, the hematic fixation is not reduced to only exactly measurable and locatable physical objects (for example: [114][115][116]; more on this in detail in the following sections).…”
Section: The Operationalization Of Aesthetic References In Cartographymentioning
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (https:// creativecommons.org/licenses/by/ 4.0/).
“…The restriction is broken in the course of new technical possibilities (e.g., VR and AR cartography). Using these opportunities, the hematic fixation is not reduced to only exactly measurable and locatable physical objects (for example: [114][115][116]; more on this in detail in the following sections).…”
Section: The Operationalization Of Aesthetic References In Cartographymentioning
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (https:// creativecommons.org/licenses/by/ 4.0/).
“…Integrating a range of materials in the creation of maps -and the mapping process (see Olmedo 2018) -expands the range of sensory perceptions it addresses, and thus permits a dialog with other aspects of spatial experience. ○ John Krygier emphasized the potential of integrating audio into digital cartography as early as 1994, and many others have elaborated on digital audiovisual maps ever since (Krygier 1994; see Edler et al 2019). Why not integrate sound in analog collective mapping?…”
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