2020
DOI: 10.1016/j.microc.2020.104787
|View full text |Cite
|
Sign up to set email alerts
|

Non-Destructive and portable analyses helping the study and conservation of a Saraceni copper plate painting in the São Paulo museum of art

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
1
1
1

Citation Types

0
7
0
1

Year Published

2021
2021
2024
2024

Publication Types

Select...
6
1
1

Relationship

0
8

Authors

Journals

citations
Cited by 12 publications
(8 citation statements)
references
References 9 publications
0
7
0
1
Order By: Relevance
“…Regarding the use of a metallic support, artists working in Venice during the Italian Renaissance period, such as Federico Barocci, Carlo Saraceni, Veronese, and other contemporaries, all did so on occasion [20,25,29,30]. Although Veronese painted predominantly on canvas and in large sizes [29,31,32], he also experimented with different types of supports and sizes, as can be seen in the Pietá and Saints [30], one of very few altarpieces anywhere painted on a copper support.…”
Section: Discussionmentioning
confidence: 99%
See 1 more Smart Citation
“…Regarding the use of a metallic support, artists working in Venice during the Italian Renaissance period, such as Federico Barocci, Carlo Saraceni, Veronese, and other contemporaries, all did so on occasion [20,25,29,30]. Although Veronese painted predominantly on canvas and in large sizes [29,31,32], he also experimented with different types of supports and sizes, as can be seen in the Pietá and Saints [30], one of very few altarpieces anywhere painted on a copper support.…”
Section: Discussionmentioning
confidence: 99%
“…In addition, chemical molecular and elemental mapping can be obtained, offering conclusions on the areal distribution of pigments in any kind of pictorial artwork [14][15][16]. Most of the literature focuses on the spectroscopic technique's application on canvas support, but fewer cases have been documented on other media such as copper or brass sheet metal [17][18][19][20][21][22][23][24][25].…”
Section: Introductionmentioning
confidence: 99%
“…Non-destructive X-ray fluorescence elemental analysis (XRF) was performed with a handheld Bruker spectrometer (as shown in Figure 4), S1 TITAN series (EDXRF) configured with a Silicon diode PIN detector (SiPIN), Rh target X-ray tube with a maximum voltage of 50 kV. The use of this approach is validated in various studies, as well [18][19][20].…”
Section: X-ray Fluorescencementioning
confidence: 99%
“…Infrared and UV authentications were as described in earlier reports (13)(14)(15)(16)(30)(31). Ambient light photograph of the oil painting was taken using a Canon 5D Mark III camera.…”
Section: Infrared-uv Imaging Of the Paintingmentioning
confidence: 99%
“…The successful restoration of artworks requires an in-depth analysis of the pieces. For instance, with the analysis of old paintings so much information can be attained such as the pigments used in the piece of art and changes that may occur in these pigments over time (1)(2)(3)(4)(5)(6), organic and inorganic substances (7)(8)(9)(10)(11), the binders (12)(13), the areas with retouches or patches on these pieces, the areas with varnish, structural deteriorations (such as cracking, flaking, peeling, and tearing) (14)(15), painting technique of the artist (16) and the types of the varnish (17)(18)(19) or the canvas that were used (such as silk, linen, hemp, cotton, jute) (20) which are of great importance for the restoration of these paintings. One can even have an idea about the palette of the artist given that he or she has the chance to analyze several pieces of art that belonged to that artist (21).…”
Section: Introductionmentioning
confidence: 99%