2020
DOI: 10.1080/10350330.2020.1756587
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On the hypoiconic structure of cartoons

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Cited by 10 publications
(11 citation statements)
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References 28 publications
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“…It is sometimes flavoured with verbal texts. It attempts to convey a set of beliefs or ideas through using a critical message in a mild humour or sarcastic tone ( Chu, 2020 ). Zhang (2021) studies the political cartoons of the US-Sino trade war which is based on three perspectives namely, semiotics, cognitive, and cultural.…”
Section: Semiotics and Cartoonsmentioning
confidence: 99%
“…It is sometimes flavoured with verbal texts. It attempts to convey a set of beliefs or ideas through using a critical message in a mild humour or sarcastic tone ( Chu, 2020 ). Zhang (2021) studies the political cartoons of the US-Sino trade war which is based on three perspectives namely, semiotics, cognitive, and cultural.…”
Section: Semiotics and Cartoonsmentioning
confidence: 99%
“…Structurally, the cartoon uniquely reflects in one raft the tripartite concept of Peircean hypoiconicity , comprising metaphoric displacement, critical, diagrammatical schematization and direct historical resemblance relations. As I have argued elsewhere, this tripartite concept of hypoiconicity can be used as a general foundation for the systemic study of the political cartoon as a genre (Chu, 2020).…”
Section: Cartoon As Political Communicationmentioning
confidence: 99%
“…Those which partake the simple qualities, or First Firstnesses, are images; those which represent the relations, mainly dyadic, or so regraded, of the parts of one thing by analogous relations in their own parts, are diagrams; those which represent the representative character of a representamen by representing a parallelism in something else, are metaphors. (CP 2.276) In the literature, Peirce's notion of hypoiconicity has been employed with reference to art (Bisanz, 2015;Jappy, 2011;Lefebvre, 2007;Morris, 2013), to diagrammatic reasoning (Bellucci, 2013;Farias and Queiroz, 2006;Stjernfelt, 2000), sign taxonomy (Freadman, 2004;Santaella, 1995), embodiment (Andacht, 2003(Andacht, , 2013Ransdell, 1979), metaphor (Jappy, 1996) as an iconic 'substratum' (Short, 2007: 216), Chinese architecture (Chu, 2018) and cartoons (Chu, 2020).…”
Section: Introductionmentioning
confidence: 99%
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“…Creating a cartoon is a complex creative process based on the analysis of political, social and cultural information (Abdel-Raheem, 2020). Рolitical cartoons combine features of iconicity: direct resemblance, diagrammatic schematization and metaphoric displacement (Chu, 2022). The reader reconstructs the caricature's direct resemblance to real historical figures and situations through the metaphorical distortion presented in the caricature and reconstructs the author's schematic, visual structural thinking to come to an understanding of the caricature's satirical message.…”
Section: Introductionmentioning
confidence: 99%