Opera Şarkiciliğinda Bi̇r Dönüm Noktasi: 'Do Di̇ Petto'

Saruhan, Şahin

doi:10.14225/joh468

Cited by 1 publication

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“…The other point, that has historical roots, is the well known story of the "do di petto" (for details see. Saruhan, 2014b andCathcart, 2013). During the period between the second half of the 18th century and the first decades of the 19th century, related to social, political, economic, etc.…”

Section: The Problem Of Concept Of Singer's Formant (Sf)mentioning

confidence: 99%

“…The new conditions before anything else, came to mean for singers to necessarily adopt a new singing technique that would provide them with the possibility of being heard: a) over an orchestra that not only got crowded, but also its string instruments begun to use steel wires that make its sound more loud, and b) by the all of spectators/audiences at more large spaces (Vest, 2009:70, Lamesch et al, 2007, for details see. Saruhan, 2014a;2014b;2014c). It is a rather troubling period, but in the end, the Guillaume Tell (Arnold) performance of Duprez in 1837, brings a solution to the problem (see.…”

Section: The Problem Of Concept Of Singer's Formant (Sf)mentioning

confidence: 99%

“…It is a rather troubling period, but in the end, the Guillaume Tell (Arnold) performance of Duprez in 1837, brings a solution to the problem (see. Saruhan, 2014b). Changes never come easily, and the provided solution would not be free of this fact.…”

Section: The Problem Of Concept Of Singer's Formant (Sf)mentioning

confidence: 99%

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Herhangi Bir Şarkıcı Formantı Var Mıdır? Yanlış Kavramsallaştırılmış Bir Görüngü İçin Bir İsim Önerisi

Saruhan

2017

rastmd

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The problem with so called "singer's formant" is not only limited to the name itself. But because terms determine the content of and set a limit to the practice of definition, to tackle the problem of the name/concept of "singer's formant" is the most urgent of these problems. Although in studies on various non-operatic singing styles, no evidence of such formant was found, this phenomenon has continued to be called singer's formant, and in literature there is no sign of disapproval in this regard. The act of singing is not unique to any given musical genre. The person who sings in any genre is a singer. But, although it was found only among the Western opera singers, to decorate this phenomenon with the prefix 'singer', intentionally or unintentionally, restricts one to be a singer of only the Western opera singers. What links music with science, or to put it another way, transforms music into musicology, is the application of scientifically defined methods on every musical matter. In this regard, in this study, an efford was made to offer a scientifically appropriate name to the acoustical phenomenon that called "singer's formant" until now. It was concluded that instead of "singer's formant", "Western opera singer's formant cluster" (FCwos) must be used for the peak found in the Western opera singer's.

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Section: The Problem Of Concept Of Singer's Formant (Sf)mentioning

confidence: 99%

Section: The Problem Of Concept Of Singer's Formant (Sf)mentioning

confidence: 99%