Origini poetiche e figurative di una leggenda dantesca: Matelda nell’Eden

Ciccuto, Marcello

doi:10.1515/9783110486117-005

Dante Und Die Bildenden Künste 2016

DOI: 10.1515/9783110486117-005

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Origini poetiche e figurative di una leggenda dantesca: Matelda nell’Eden

Marcello Ciccuto¹

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Cited by 3 publications

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Fra Ovidio e Brunetto, nel fiume del tempo

Ciccuto

2021

Romanic Review

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This article attempts to show how Dante Alighieri, in defining the image of humankind as inspired by values of innocence and harmony in an earthly paradise, draws a condition of defective beatitude just before a burst of even superior joy. So in the aim of outlining a beatitudo huius vitae still valid for a Christian Eden, the poet appeals to the text of Ovid’s Fasti through which in many occurrences he is building a harmonic image of human living that, in the shadow of forebears’ sin, only a future intervention of Grace will dispose for Dante’s words. Through exact allusive quotations, Dante opposes to the absolute time of Eden the idea of an imperfect time, tied to the pattern of an all-human knowledge, which Dante himself connected to the teaching and character of Brunetto Latini.

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Fra Ovidio e Brunetto, nel fiume del tempo

Ciccuto

2021

Romanic Review

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Mapping the Knowledge of Dante Commentaries in the Digital Context: A Web Ontology Approach

2021

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With digital repositories and databases available since the 1990s, Dante scholarship has always been at the forefront of the digital humanities and the digitization of medieval texts and manuscripts. However, the amount of information available about such aspects is imposing, and its location subject to the extreme dispersion of traditional scholarly publications: commentaries first but also academic journals, miscellanies, and so forth. Rather than being based on traditional word searches, a true advancement of knowledge needs to overcome the rigidity of text-based queries (and in-line markup embedded in text). Such paramount evolution is now made possible by the Semantic Web, an extension of the current web by description standards that help machines to understand and connect the information already available on the web. To achieve this, the latter is mapped using formal description and classification patterns, called ontologies. Ontologies are a key factor in managing meaningful search/data extraction, publishing relevant results on the web, search existing web resources, and offering answers to more sophisticated queries. Due to its vastness and complexity, Dante scholarship has calls for an ontology-based mapping, and specific tools have been designed to express the most difficult and articulate aspects of Dante’s literary production, such as its use of biblical, classical, and medieval sources. This paper aims to introduce the aims and scope of a new digital library of Dante commentaries, built according to the aforementioned standards and aiming to refine and extend the ontologies developed for Dante’s minor works to the more complex world of the Commedia.

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La danza come movimento ed espressione nelle immagini poetiche della Commedia di Dante

Cieri

2017

dea

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Il saggio intende interrogarsi sul ruolo della danza nella Commedia dantesca e sul rapporto fra immagine e poesia. Dall'analisi dei versi del poeta, le immagini di danza emergono attraverso le tre Cantiche ora in occorrenze o specifiche citazioni ora con allusione al loro carattere metaforico, ma spesso anche come espressione dei "moti del corpo come moti dell'animo" con riferimento alla trattatistica antica e moderna e alla luce, infine del pensiero di Aby Warburg e della elaborazione teorica del suo tempo.

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Origini poetiche e figurative di una leggenda dantesca: Matelda nell’Eden

Cited by 3 publications

References 0 publications

Fra Ovidio e Brunetto, nel fiume del tempo

Fra Ovidio e Brunetto, nel fiume del tempo

Mapping the Knowledge of Dante Commentaries in the Digital Context: A Web Ontology Approach

La danza come movimento ed espressione nelle immagini poetiche della Commedia di Dante

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