Past Presencing in Local Museums: Remarks on the Use of Art in the Creation of Representations of a Locality

Abstract

Museums and art are both phenomena strongly connected with collective identities. During the process of development of modern nations in the 19th and 20th centuries, museums were actors (or tools, depending on the context) of the process of the construction of collective representations. This relates to a certain link between collectivities and objects, in which the latter contribute to the emergence of social roles and the organization of social worlds. Artworks as collective representations, and memory carriers significantly participate in these processes.
 Since 1989, the importance of local identities has been growing. Local actors undertake organized activities to develop a sense of community and attract the attention of outsiders. Museums also participate in these processes, yet in the changing context the question arises as to whether they play a role similar to the national ones or, perhaps, different situations introduced new ways of museum involvement.
 The paper examines the practices during which representations of a locality are constructed to be displayed in the museum context. We are interested in how art pieces contribute to this process and how they are used in comparison to non-aesthetic artifacts. The study is based on 50 in-depth interviews collected during two projects conducted in the Subcarpathian Voivodeship in Poland and in the Kosice Region in Slovakia. Concentrating on the practices of collection building, exhibition designing, and interpretation, we discuss different classes of objects used in the process, analyze their effectiveness in representing the original context – the main topic of museum narratives – and indicate some of them as boundary objects around which arenas emerge.

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“…Nevertheless, some strategies suggest that museums might not always be at the core of the design concept and that the central part of the museum may be located inside or even outside the museum itself. In addition, Dominik Porczy ński [15] worked on the process of creating representations of local culture to be shown in a museum setting. His work aroused curiosity about the role that artwork plays in this procedure and how it differs from the use of non-artistic objects.…”