Perception, Torsion, Event: links between body, discourse and art

Abstract

This study is based on the identification of the subject and his/her social place in the performance, in order to connect subject, body, and gesture in the performing act. This link becomes possible from the discursive analysis of the sixth dimension of the performing activity: an updating of Schechner’s theory of performance, in conjunction with the postulates of Merleau-Ponty on perception, and Pêcheux on discourse. Results indicate an opportunity for a materialistic analysis of the field of sensitive experimentation, emphasizing the theoretical unfolding of the notion of perception in the analytical act consolidated in the feeling and action of/by the subject’s body.