Places inarticulately close

Caine, Vera; Lavoie, Michelle

doi:10.1111/j.1466-769x.2011.00496.x

Cited by 4 publications

(3 citation statements)

References 7 publications

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“…She includes arts in the data gathering process and also as a representational form, including poetic representations. Caine and Lavoie (2011 and 2015) took up printmaking to explore the emotional and deeply personal impact of experiences alongside participants that were too difficult to be told in previous studies.…”

Section: Emergent Potentials Of Art In Researchmentioning

confidence: 99%

“…For Adebayo, the act of carving was therapeutic, and even cathartic at times, when the materiality of printing enabled him to physically scrape against the surface of some of his harder stories. We also have come to understand the physical act of printmaking as an embodied gesture and visible scar of memory (Caine & Lavoie, 2011, 2015). When printed materials are transformed into printed images, experiences can be transformed into tangible, tactile traces of memory, experienced through art objects (Barthes, 1980).…”

Section: Second Inquiry Space: Getting Physical and Why Materiality M...mentioning

confidence: 99%

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Contemplating Framing: Unpacking the Possibilities of Printmaking in Narrative Inquiry

Lavoie

Caine

2021

International Review of Qualitative Research

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In this paper, we explore, name, and unpack the possibilities that printmaking, as an art form, holds in visual narrative inquiry. We also explore the relationship between visual narrative inquiry and narrative inquiry, a relational qualitative research methodology that attends to experiences. Drawing on two different ongoing narrative inquiry studies, where we engage with either trans young adults or refugee families from Syria with pre-school children, we explore how printmaking practices facilitate processes of inquiry. The etymology of the word “frame” helps us understand framing as a process that is future oriented and reflects a sense of doing, making, or preforming. In this way, framing allows us to see otherwise, to respond to and with participants, and to engage with experiences in ways that open new possibilities of inquiry.

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Section: Emergent Potentials Of Art In Researchmentioning

confidence: 99%

Section: Second Inquiry Space: Getting Physical and Why Materiality M...mentioning

confidence: 99%

Contemplating Framing: Unpacking the Possibilities of Printmaking in Narrative Inquiry

Lavoie

Caine

2021

International Review of Qualitative Research

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“…Visual narrative inquiry is a form of narrative inquiry. This type of research is rooted in narrative inquiry’s (Clandinin & Connelly, 2000) theory, methodology, and methods, but emphasizes art creation by participants and researchers as a key component of relational research to elicit storytelling, respond to, and tell stories (Bach, 2007; Caine, 2007; Caine & Lavoie, 2011, 2015; de Mello, 2007; Lavoie, 2021; Lavoie & Caine, 2021). Narrative inquiry is theoretically ground in Dewey’s (1938) pragmatist philosophy.…”

Section: Situating the Work In A Community Printmaking Studiomentioning

confidence: 99%

Walking Alongside: Relational Research Spaces in Visual Narrative Inquiry

Lavoie

2021

International Journal of Qualitative Methods

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Walking alongside is a phrase used in narrative inquiry to describe relational commitments that shape how we attend to the complexity of lives, unfolding over time, and within a web of social relations. The space of inquiry requires researchers to attend to participants’ lives and stories of experience across various social situations, places, and times. In this paper, I explicate and unpack my intimate, and sometimes complex, journey and unfolding research process. In this study, walking alongside was a process of embodying the relational ethics of narrative inquiry, which attended to silences, remained playful, and responded to and through uncertainty. I provide insight into building relational spaces in visual narrative inquiry by combining art-making with Lugones’ theories on world travelling to creatively and nimbly respond to stories and walk alongside participants. As a narrative inquirer, I walked alongside three trans young adults, to co-create, re-imagine, and transform research in relation to participants. This process is undergirded by attention to and a deepening awareness of relational ethics, and by creating spaces that allow for emergent possibilities of being in relation to honor diverse and multiple ways of knowing.

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Significance of Place in the Lives of Recreation Practitioners

Dubnewick

2020

Leisure Sciences

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Places inarticulately close

Cited by 4 publications

References 7 publications

Contemplating Framing: Unpacking the Possibilities of Printmaking in Narrative Inquiry

Contemplating Framing: Unpacking the Possibilities of Printmaking in Narrative Inquiry

Walking Alongside: Relational Research Spaces in Visual Narrative Inquiry

Significance of Place in the Lives of Recreation Practitioners

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