“… Throughout the article I have included the relevant texts and translations at the beginning of each musical example. All translations are derived from Wigmore (1998) and Youens (1992). Caplin (1998,61).…”
Section: mentioning
confidence: 99%
“…I will return to these studies below. See especially Krebs (1999, 156-71;2005, 2007, Malin (2006Malin ( , 2008Malin ( , 2010, Rothstein (1995), Cohn (2001, 310-21), Rodgers (2011), Lewin (2006, 345-66), and Youens (1986). BaileyShea 2003).…”
Research on theme-types (periods, sentences, hybrids, etc.) has dealt primarily with instrumental music. This article focuses on sentence form in vocal music, using Schubert's Die schöne Müllerin as a case study. Analysis reveals that Schubert's sentences often go hand in hand with poems that begin with rhyming couplets, that the type of sentence he uses depends upon the sense and structure of the text associated with it, and that he favors sentences with oddly repetitive presentation sections-"manic" versions of the form that emphasize the repetitiveness of Müller's verses and the obsessiveness of his lovesick hero.
“… Throughout the article I have included the relevant texts and translations at the beginning of each musical example. All translations are derived from Wigmore (1998) and Youens (1992). Caplin (1998,61).…”
Section: mentioning
confidence: 99%
“…I will return to these studies below. See especially Krebs (1999, 156-71;2005, 2007, Malin (2006Malin ( , 2008Malin ( , 2010, Rothstein (1995), Cohn (2001, 310-21), Rodgers (2011), Lewin (2006, 345-66), and Youens (1986). BaileyShea 2003).…”
Research on theme-types (periods, sentences, hybrids, etc.) has dealt primarily with instrumental music. This article focuses on sentence form in vocal music, using Schubert's Die schöne Müllerin as a case study. Analysis reveals that Schubert's sentences often go hand in hand with poems that begin with rhyming couplets, that the type of sentence he uses depends upon the sense and structure of the text associated with it, and that he favors sentences with oddly repetitive presentation sections-"manic" versions of the form that emphasize the repetitiveness of Müller's verses and the obsessiveness of his lovesick hero.
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