2022
DOI: 10.1016/j.culher.2021.11.006
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Portable solution for high-resolution 3D and color texture on-site digitization of cultural heritage objects

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Cited by 29 publications
(14 citation statements)
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“…A limitation of this biomechanical study was the low number of specimens, but this has similarly been reported in other comparable studies [ 22 , 23 , 24 , 25 ]. One explanation for the low number of specimens is certainly the availability of body donors, which is limited.…”
Section: Discussionmentioning
confidence: 79%
See 1 more Smart Citation
“…A limitation of this biomechanical study was the low number of specimens, but this has similarly been reported in other comparable studies [ 22 , 23 , 24 , 25 ]. One explanation for the low number of specimens is certainly the availability of body donors, which is limited.…”
Section: Discussionmentioning
confidence: 79%
“…During the biomechanical tests, the movements of the distal fibula and tibia were recorded using an optical 3D measurement system that tracks two marker plates (kolibri CORDLESS, Fraunhofer IOF, Jena, Germany; measurement uncertainty of 20–100 µm) [ 24 ]. Each marker plate consisted of three passive, spherical markers 6.5 mm in diameter attached to a jet-black plate with a 2.5 cm diameter.…”
Section: Methodsmentioning
confidence: 99%
“…The application of digitalisation and 3D documenting techniques provides important information for the restoration, conservation and recovery of cultural heritage. They are also among the main tools to improve their knowledge and dissemination [7,33]. In the case of the baptismal font of the church of Santiago Apóstol in Montilla, photogrammetric techniques based on Structured from Motion were used to digitally document the piece due to its size.…”
Section: Methodsmentioning
confidence: 99%
“…Thus, in the field of studying architectural heritage, the integration of information from multiple sensors is also studied, combining metric data with temperatures and the creation of a 3D thermal texture [ 18 , 19 ]. Or the analysis of the texture of the color and 3D shape [ 20 ], and the changes in the deformations of the Badillo et al [ 21 ] paintings. Most of the studies dealing with small archeological objects focus on 3D implementation.…”
Section: Introductionmentioning
confidence: 99%