2016
DOI: 10.1017/atsip.2016.11
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Progress in LPC-based frequency-domain audio coding

Abstract: Progress in LPC-

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Cited by 7 publications
(2 citation statements)
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“…However, their recording conditions usually do not satisfy the recommendations for voice research [24], [25]. Moreover, they are usually using lossy audio digital compression [26]. The proposed method is useful for assessing degradations introduced by these non-ideal recording and coding conditions by decomposing the response into the linear time-invariant responses and other nonlinear and time-varying responses.…”
Section: Discussionmentioning
confidence: 99%
“…However, their recording conditions usually do not satisfy the recommendations for voice research [24], [25]. Moreover, they are usually using lossy audio digital compression [26]. The proposed method is useful for assessing degradations introduced by these non-ideal recording and coding conditions by decomposing the response into the linear time-invariant responses and other nonlinear and time-varying responses.…”
Section: Discussionmentioning
confidence: 99%
“…In both conventional vocoders and waveform coders, linear predictive coding (LPC) [7], an all-pole linear filter, serves a critical component, as it can efficiently model power spectrum with only a few coefficients through Levinson-Durbin algorithm [6]. For vocoders, the LPC residual is then modeled as a synthetic excitation signal with a pitch pulse train or white noise component [8]. On the other hand, for waveform coders, such as Opus [9], Speex [10] and AMR-WB [11], the residual is directly compressed to the desired bitrate before being synthesized to the decoded signal.…”
Section: Introductionmentioning
confidence: 99%