Architectures of the Unforeseen 2019
DOI: 10.5749/j.ctvpwhdm8.5
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Relational Architecture

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Cited by 7 publications
(11 citation statements)
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“…Vessels (Leslie, 2020) is a brain-body performance piece that combines flute improvisation with live, sonified brain and body data from a Muse headband. Polar handheld devices similarly became the springboard for a number of artworks including Pulse Spiral (Lozano-Hemmer, 2008) and Emergence, as shown in Figure 3 , measuring viewer's heartbeats to reflect on the nature of their internal state and the human-computer interface.…”
Section: Change In Perspectivementioning
confidence: 99%
“…Vessels (Leslie, 2020) is a brain-body performance piece that combines flute improvisation with live, sonified brain and body data from a Muse headband. Polar handheld devices similarly became the springboard for a number of artworks including Pulse Spiral (Lozano-Hemmer, 2008) and Emergence, as shown in Figure 3 , measuring viewer's heartbeats to reflect on the nature of their internal state and the human-computer interface.…”
Section: Change In Perspectivementioning
confidence: 99%
“…The intensity of each blend is determined by the number of times users made gestures of "take care" on their faces. In 2015, Lozano-Hemmer [25] designed the interactive installation Level of Confidence, which uses a face recognition system trained to find similarities between a given face and the faces of forty-three disappeared students in a cartel-related kidnapping in Iguala, Mexico, in 2014. Whenever users stand in front of the installation, it captures their faces and unveils the most similar student and how accurate this match is.…”
Section: Generated Faces In Visual Artmentioning
confidence: 99%
“…In public spaces where individuals share a haptic experience, ambivalent perception of touch, through direct and disrupted connections, can be instrumental to shared engagement and to reflection. Such ambivalent perception can be designed on the basis of, for example, familiar and unfamiliar experiences and unpredictable connections Kwastek, 2013;Blast Theory, 2007;Lozano-Hemmer, 2001). Such 'relational interfaces' (Gill, 2013) are designed to support shared exploration of embodied experience, personal knowledge and dialogue, through movement, negotiation, synchronising of rhythm and play.…”
Section: Related Workmentioning
confidence: 99%