“…However, for projects that work with larger text corpora, close reading and extensive manual annotation are neither practical nor affordable. While the speech processing community explores end-toend methods to detect and control the overall personal and emotional aspects of speech, including fine-grained features like pitch, tone, speech rate, cadence, and accent (Valle et al, 2020), applied linguists and digital humanists still rely on rulebased tools (Plecháč, 2020;Anttila, 2016;Kraxenberger and Menninghaus, 2016), some with limited generality (Navarro-Colorado, 2018;Navarro et al, 2016), or without proper evaluation (Bobenhausen, 2011). Other approaches to computational prosody are based on words in prose rather than syllables in poetry (Talman et al, 2019;Nenkova et al, 2007), rely on lexical resources with stress annotation such as the CMU dictionary, (Hopkins and Kiela, 2017;Ghazvininejad et al, 2016), are in need of an aligned audio signal (Rosenberg, 2010;Rösiger and Riester, 2015), or model only narrow domains such as iambic pentameter (Greene et al, 2010;Hopkins and Kiela, 2017;Lau et al, 2018) or Middle High German (Estes and Hench, 2016).…”