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Resilience in tourism studies has mainly departed from a socio-ecological system-theory approach and has developed knowledge in relation to different tourism contexts. This approach has consequences for the conceptualization of resilience and sets limits. Calls for theory development on resilience see a need to take account of, for instance, politics and power relations, and conflicts over resources. As a response to this call, this conceptual article discusses the ontological underpinnings of resilience in tourism studies from an interdisciplinary approach and argues for a media place approach to resilience. From a general socio-ecological system approach a tourist place is ontologically constituted as a subject with clear boundaries even if it has interactions, relations, and dependencies. The tourism place is therefore constituted as a fixed entity in its essence, even if equilibriums can be positioned differently. However, tourism resilience is a complex issue that calls for additional perspectives. The proposed interdisciplinary media place approach follows changes and dependencies between mediatization of tourism places and changes in the resilience of tourism places. The role of mediatization and its significance for changes in places are put at the centre of the analysis. The approach assumes that a tourist place is constituted as a verb that is constantly created and recreated in a process. Additionally, resilience in places must also be conceptualised ontologically as a fluid concept that evolves over time. To understand sudden and long-term changes in tourism place resilience, special attention must be given to nodes or flows of information that connect the media systems and constitute places. Further, the article concludes that resilience is moulded by the politics of media practices. An interdisciplinary approach brings new answers to complex questions that cannot be solved from a single disciplinary perspective.
Resilience in tourism studies has mainly departed from a socio-ecological system-theory approach and has developed knowledge in relation to different tourism contexts. This approach has consequences for the conceptualization of resilience and sets limits. Calls for theory development on resilience see a need to take account of, for instance, politics and power relations, and conflicts over resources. As a response to this call, this conceptual article discusses the ontological underpinnings of resilience in tourism studies from an interdisciplinary approach and argues for a media place approach to resilience. From a general socio-ecological system approach a tourist place is ontologically constituted as a subject with clear boundaries even if it has interactions, relations, and dependencies. The tourism place is therefore constituted as a fixed entity in its essence, even if equilibriums can be positioned differently. However, tourism resilience is a complex issue that calls for additional perspectives. The proposed interdisciplinary media place approach follows changes and dependencies between mediatization of tourism places and changes in the resilience of tourism places. The role of mediatization and its significance for changes in places are put at the centre of the analysis. The approach assumes that a tourist place is constituted as a verb that is constantly created and recreated in a process. Additionally, resilience in places must also be conceptualised ontologically as a fluid concept that evolves over time. To understand sudden and long-term changes in tourism place resilience, special attention must be given to nodes or flows of information that connect the media systems and constitute places. Further, the article concludes that resilience is moulded by the politics of media practices. An interdisciplinary approach brings new answers to complex questions that cannot be solved from a single disciplinary perspective.
Screen Space Reconfigured is the first edited volume that critically and theoretically examines the many novel renderings of space brought to us by 21st century screens. Exploring key cases such as post-perspectival space, 3D, vertical framing, haptics, and layering, this volume takes stock of emerging forms of screen space and spatialities as they move from the margins to the centre of contemporary media practice. Recent years have seen a marked scholarly interest in spatial dimensions and conceptions of moving image culture, with some theorists claiming that a 'spatial turn' has taken place in media studies and screen practices alike. Yet this is the first book-length study dedicated to on-screen spatiality as such. Spanning mainstream cinema, experimental film, video art, mobile screens, and stadium entertainment, the volume includes contributions from such acclaimed authors as Giuliana Bruno and Tom Gunning as well as a younger generation of scholars.
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